"Left in the fields to grow. She is not strong enough yet to marry.
She could not work for her husband and her husband's father as a wife
must do. Far better wait awhile. At twenty-nine she will be big and
bony like Nadia; then she will be fit to marry, for then her wild
young spirits will be gone."
We walk along the plank-road from the station to the church; which is
crowded with men and women in their holiday attire; the girls in red
skirts and bodices, trimmed with fur, and even with silver lace; the
men in clean capotes and round fur caps, with golden tassels and
scarlet tops. The rite is nearly over; the priest has joined the pair
in holy matrimony; and the bride and groom come forth, arrayed in
their tinsel crowns. The king leads out the queen, who certainly looks
old enough to be his dam. One hears so much about marital rights in
Russia, and the claim of women to be thrashed in evidence of their
husband's love, that one can hardly help wondering how long it will be
before Vanka can beat his wife. Not at present, clearly; so that one
would feel some doubt of their "sober certainty of bliss," except for
our knowledge that if Vanka fails, the patriarch will not scruple to
use his whip.
Crowned with her rim of gilt brass, the bony bride, in stiff brocade
and looking her fifteen silver spoons, slides down the sloppy lane to
her future home.
The whisky-shops--we have two in our village for the comfort of eighty
or ninety souls--are loud and busy, pouring out nips and nippets of
their liquid death. Fat, bearded men are hugging and kissing each
other in their pots, while the younger fry of lads and lasses wend in
demure and pensive silence to an open ground, where they mean to wind
up the day's festivities with a dance. This frolic is a thing to see.
A ring of villagers, old and young, get ready to applaud the sport.
The dancers stand apart; a knot of young men here, a knot of maidens
there, each sex by itself, and silent as a crowd of mutes. A piper
breaks into a tune; a youth pulls off his cap, and challenges his girl
with a wave and bow. If the girl is willing, she waves her
handkerchief in token of assent; the youth advances, takes a corner of
the kerchief in his hand, and leads his lassie round and round. No
word is spoken, and no laugh is heard. Stiff with cords and rich with
braid, the girl moves heavily by herself, going round and round, and
never allowing her partner to touch her hand. The pipe goes droning on
for hours in the same sad key and measure; and the prize of merit in
this "circling," as the dance is called, is given by spectators to the
lassie who in all that summer revelry has never spoken and never
smiled!
Public-domain text, read in full here on John Shaqi.
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