The secret police have an authority which knows no bounds, save that
of the Emperor's direct command. They have a province of their own,
apart from, and above, all other provinces in the state. Their chief,
Count Shouvalof, is the first functionary of the empire, the only man
who has a right of audience by day and night. In Eastern nations rank
is measured in no small degree by a person's right of access to the
sovereign. Now, the right of audience in the winter palace is governed
by the clearest rules. Ordinary ministers of the crown--home office,
education, finance--can only see the Emperor once a week. Greater
ministers--war and foreign affairs--can see him once a day, but only
at certain stated hours. A minister of police can walk into his
cabinet any hour of the day, into his bedroom any hour of the night.
Not many years ago the power of this minister was equal to his rank at
court; in home affairs he was supreme; and many a poor ruler found
himself at once his tool and dupe. Much of this power has now been
lodged in courts of law, over which the police have no control; but
over and beyond the law, a vast reserve is left with the police, who
can still revise a sentence, and, as an "administrative measure," send
a man into exile who has been acquitted by the courts.
While I was staying at Archangel, an actor and actress were brought
from St. Petersburg in a tarantass, set down in the grass-grown
square, near the poet's pedestal, and told to shift for themselves,
though they were on no account to quit the town without the governor's
pass. No one could tell what they had done. Their lips were closed;
the newspapers were silent; but a thousand tongues were busy with
their tale; and the likelier story seemed to be, that they had been
playing a part in some drama of actual life. Clandestine marriages are
not so rare in Russia as they are in England and the United States.
Young princes love to run away with dancers, singers, and their like.
Now these exiles in the North country were said to have been concerned
in a runaway match, by which the pride of a powerful family had been
stung; and since it was impossible to punish the offending parties,
these poor artists had been whisked off their tinsel thrones in order
to appease a parent's wounded pride. The man and woman were not man
and wife; but care for such loss of fame as a pretty woman might
undergo by riding in a tarantass, day and night, twelve hundred
versts, through a wild country, with a man who was not her spouse,
seems never to have troubled the director of police. Stage heroines
have no character in official eyes. There they were, in the North; and
there they would have to stay, until the real offenders should be able
to make their peace, whether they could manage to live in that city of
trade, as honest folks should live, or not. Clever in their art, they
opened a barn long closed, and the parlors of Archangel were agog with
glee. What they performed could hardly be called a play.
Public-domain text, read in full here on John Shaqi.
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