been thrown into the shade by better ones; but even those subsequently
surpassed creations were at the time of their production the best which the
existing art could produce, and to ask for more would be unjust. And I
could not avoid perceiving that the population of Freeland are not merely
proud of their public expenditure in art, but that they thoroughly enjoy
what they pay for; and in this respect they are comparable to the ancient
Athenians, of whom we are told that, with solitary exceptions, they all had
an intense appreciation of the marvellous productions of their great
masters.
'With such a universal taste for the beautiful among your people,' said my
father to Mrs. Ney, 'I am surprised that so little attention is given to
the adornment of the most beautiful embellishment of Freeland--its queenly
women. Certainly their dress is shapely, and I have nowhere noticed such a
correct taste in the choice of the most becoming forms and colours; but of
actual ornaments one sees none at all. Here and there a gold fastener in
the hair, here and there a gold or silver brooch on the dress--that is all;
precious stones and pearls seem to be avoided by the ladies here. What is
the reason of this?'
'The reason is,' answered Mrs. Ney, 'that the sole motive which makes
ornaments so sought after among other nations is absent from us in
Freeland. Vanity is native here also, among both men and women; but it does
not find any satisfaction in the display of so-called "valuables," things
whose only superiority consists in their being dear. Do you really believe
that it is the _beauty_ of the diamond which leads so many of our pitiable
sisters in other parts of the world to stake happiness and honour in order
to get possession of such glittering little bits of stone? Why does the
woman who has sold herself for a genuine stone thrust aside as unworthy of
notice the imitation stone which in reality she cannot distinguish from the
real one? And do you doubt that the real diamond would itself be degraded
to the rank of a valueless piece of crystal which no "lady of taste" would
ever glance at, if it by any means lost its high price? Ornaments do not
please, therefore, because they are beautiful, but because they are dear.
They flatter vanity not by their brilliancy, but by giving to the owner of
them the consciousness of possessing in these scarcely visible trifles the
extract of so many human lives. "See, here on my neck I wear a talisman for
which hundreds of slaves have had to put forth their best energies for
years, and the power of which could lay even you, who look upon the pretty
trifle with such reverent admiration, as a slave at my feet, obedient to
all my whims! Look at me: I am more than you; I am the heiress who can
squander upon a trifling toy what you vainly crave to appease your hunger."
That is what the diamond-necklace proclaims to all the world; and _that is
why_ its possessor has betrayed and made miserable perhaps both herself and
Public-domain text, read in full here on John Shaqi.
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