Freezing a Mother-in-Law; or, Suspended Animation: A farce in one actPemberton, T. Edgar (Thomas Edgar)
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Freezing a Mother-in-Law; or, Suspended Animation: A farce in one act
Pemberton, T. Edgar (Thomas Edgar)
Comedy plays; English drama -- 19th century
MR. W. My love, may I, with all deference, venture to remind you that
your respected and beloved parents were, when I first had the pleasure
of making your acquaintance, what may be called "no more."
MRS. W. Silence, mocker of the dead. They had gone to their reward. But
I lived to obey their wishes.
MR. W. Oh, and was _I_ one of them?
MRS. W. In the abstract, yes. What did I find you?
MR. W. My dear, don't allude to that. You did not find me much; but I
am not an avaricious man, and as I said at the time, what I looked for
in a wife was not so much money as--
MRS. W. Sordid one! Ever thinking of your worldly goods. When I ask,
what did I find you? I allude to your moral condition. You were a
smoker of tobacco. Do you deny it?
MR. W. (_regretfully_). I used to enjoy a cigar.
MRS. W. You were a bibber of wine. Was it not so?
MR. W. (_regretfully_). A glass of port now and then was very pleasant
to me.
MRS. W. It was such as _you_ that my parents hated. It was such as
_you_ they loved to reform. It is the custom of some to erect to the
memory of their parents costly monuments of marble, and gaudy windows
of perishable glass. _I_ erected _you_. Say, have I altered you? Do you
smoke now?
MR. W. (_very mournfully_). I do not.
MRS. W. Where is your cellar of port?
MR. W. In my cellar. It has remained there, my love, since, twenty
years ago, you appropriated the key; and (_with a groan_) it must be in
very fine condition.
MRS. W. Ay! you can still think of the condition of your port; lucky
for you that I have thought of _your_ condition. You are a mausoleum,
Mr. Watmuff, of which my parents may feel justly proud. Their tomb will
not be neglected during the lifetime of their daughter. My decision
with regard to Walter Litherland is one more _immortelle_ woven, by
loving hands to their memory. You are a mausoleum, Mr. Watmuff. (_Exit_
MRS. WATMUFF, _door_ L.)
MR. W. A mausoleum, am I? I wish they'd put a railing round me then,
and keep me isolated. I'm always being railed at. Why, if I'm regarded
from that point of view, can't I be railed in? I haven't the privileges
of a family vault. I'm only a common grave, walked over and trampled on
by everybody. It's too bad. It would be rough enough on a grave, but on
flesh and blood it's outrageous. And when I think of that cellar of
port, d--d if I don't wish I was buried--with it. How crusty it must be
now! As crusty, I expect, as I ought to be if I only dared to show my
teeth.
(_Enter_ FERDINAND SWIFT, _door_ R.)
MR. W. Ferdinand, can I believe my eyes? My dear nephew, I thought you
were in America.
FER. America twelve days ago--England to-day--this my first call; glad
to see you, uncle.
MR. W. And I'm glad to see you, my boy. (_They shake hands heartily._)
But why have you returned so soon, Ferdinand? I thought you would
remain in America until you had made your mark.
Public-domain text, read in full here on John Shaqi.
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