French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
The Chinamania had by no means subsided in Chippendale’s day. The case
or shelf full of choice bits of porcelain was to be met with in many
rooms, and always in the lady’s boudoir and dressing-room. In
Chippendale’s first book, a number of china cases, Chinese cases,
Chinese hanging shelves and Chinese shelves standing on feet appear, and
even one labelled “India cabinet” shows the same style of treatment,
which is, of course, either fret-work or a conglomeration of pagodas,
mandarin hats, Chinese figures, bells and turned-up edges mingled with
leaves and scrolls and dripping water. In the first edition of
Chippendale’s book (Plates CV., CVI., CVII., CVIII. and CIX.) are china
cases. “The latter,” he says, “is a very neat china case upon a frame,
with glass doors in the front and ends; betwixt the middle feet is a
stretcher, with a little canopy which will hold a small figure. This
design must be executed by the hands of an ingenious workman, and when
neatly japann’d will appear very beautiful.” This is the china case that
is shown on Plate XXXVIII., and is dated 1753. The glass doors are
enriched with ornate vines thick with leaves and flowers and dripping
water. The ornaments of the top and sides are decorated with little
bells, and there is a generous use of fret-work. Plate CX. of the first
edition also shows a “china case with glass doors;” and Plate CXI.
another, of which Chippendale seems to be very proud. He says it is “not
only the richest and most magnificent in the whole, but perhaps in all
Europe. I had a particular pleasure in retouching and finishing this
design, but should have much more in the execution of it, as I am
confident I can make the work more beautiful and striking than the
drawing. The proportion and harmony of the several parts will then be
view’d with advantage and reflect mutual beauty upon each other. The
ornaments will appear more natural and graceful, and the whole
construction will be so much improv’d under the ingenious hand of a
workman as to make it fit to adorn the most elegant apartment.”
[Illustration: PLATE XLI]
China cases on which to place the china are most elaborately carved; one
of these in the Chinese style “may be soft wood and japanned, or painted
and partly gilt.” A china case very proper for a lady’s dressing-room
may “be made of any soft wood and japanned any colour.”
Hanging shelves for china are shown in Nos. 3 and 4 on Plate XLII. The
latter is confessedly “in the Chinese taste.” In some of his highly
ornamental cabinets the ornaments are intended to conceal the joining.
He says: “They may be brass or silver finely chased and put on, or they
may be cut in filligree work in wood, brass or silver.”
Chippendale fills four plates with a variety of Chinese railings, “very
proper for gardens and other places, and may be converted (by the
ingenious workman) to other uses.”
Public-domain text, read in full here on John Shaqi.
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