French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
“The furniture used in a drawing-room are sofas, chairs to match, a
commode, pier-tables, elegant fire-screens, large glasses, figures with
lights in their hands and bronzes with lights on the cap of the
chimney-piece, or on the pier-tables and commodes, and sometimes a
mirror with lights fixed at the end of the room, or the side, as may
best suit for the reflection or perspective representation of the room,
on the surface of the mirror.”
“A drawing-room is of that sort which admits of the highest taste and
elegance; in furnishing of which, workmen in every nation exert the
utmost efforts of their genius. To assist me in what I have here shewn,
I had the opportunity of seeing the Prince of Wales’s, the Duke of
York’s, and other noblemen’s drawing-rooms. I have not followed any one
in particular, but have furnished my ideas from the whole, with such
particulars as I thought best suited to give a display of the present
taste in fitting up such rooms.”
“In the drawing-room here (see Plate LVIII.), everything will appear
easily understood to a workman in town, who is accustomed to see such
apartments; but for a stranger, and those workmen who reside in the
country, it will be proper to point out a few particulars.
“The pier tables have marble tops and gold frames or white and gold. The
glasses are often made to appear to come down to the stretcher of the
table; that is, a piece of glass is fixed in behind the pier table,
separate from the upper glass, and by reflection makes the table appear
double. The small piece of glass may be fixed either in the dado of the
room, or on the frame of the table.
[Illustration: PLATE LIX]
“The arches above the windows are merely artificial, being only wooden
frames put up, strained with canvas; after which the same kind of stuff
which the curtains are made of is formed to appear like a fan, and
drapery tacked on to it.
“Panelling on the walls are done in paper with ornamental borders of
various colours.
“The figures above the glasses are paintings in clare-obscure. The sofas
are bordered off in three compartments, and covered with figured silk or
satin. The ovals may be printed separately, and sewed on. These sofas
may have cushions to fill their backs, together with bolsters at each
end. In France, where their drawing-rooms are fitted up in the most
splendid manner, they use a set of small and plainer chairs, reserving
the others merely for ornament.
Public-domain text, read in full here on John Shaqi.
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