French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
“The commode opposite the fire-place has four doors; its legs are
intended to stand a little clear of the wings; and the top is marble to
match the pier tables. In the frieze part of the commode is a tablet in
the centre made of an exquisite composition in imitation of statuary
marble. These are to be had of any figure, or on any subject, at Mr.
Wedgewood’s, near Soho Square. They are let into the wood, and project a
little forward. The commode should be painted to suit the furniture, and
the legs and other parts in gold to harmonize with the sofas, tables,
and chairs.”
“The dining-room is one of the principal apartments of a house, and
ought always to be of a bold and an accommodating proportion. In
noblemen’s dining-rooms, where the windows are all on the side opposite
to the fires, there may then be a recess at each end of the room in
which a sideboard may stand, with columns before it placed at the
extremities, which produces a very august appearance and renders the
service considerably more easy at dinner than where there is but one
sideboard. The furniture of a dining-room ought to be bold, substantial
and magnificent, in proportion to its dimensions.
“The dining-parlour must be furnished with nothing trifling, or which
may seem unnecessary, it being appropriated for the chief repast, and
should not be encumbered with any article that would seem to intrude on
the accommodation of the guests. The large sideboard, inclosed or
surrounded with Ionic pillars; the handsome and extensive dining-table;
the respectable and substantial-looking chairs; the large face glass;
the family portraits; the marble fire-places; and the Wilton carpet are
the furniture that should supply the dining-room.”
The Prince of Wales’s dining-parlour in Carlton House is recommended as
a good type.
“The Prince’s has five windows facing St. James’s Park. His windows are
made to come down to the floor, which opens in two parts as a double
door, leading to a large grass plot to walk in. If I remember right,
there are pilasters between each window, but this is intended to have
grass. In his is a large glass over the chimney-piece. To these glass
frames are fixed candle branches. At each end is a large sideboard,
nearly twelve feet in length, standing between a couple of Ionic
columns, worked in composition to imitate fine variegated marble, which
have a most beautiful and magnificent effect. In the middle are placed a
large range of dining-tables, standing on pillars with four claws each,
which is now the fashionable way of making these tables. The chairs are
of mahogany, made in the style of the French, with broad top rails
hanging over each back foot; the legs are turned, and the seats covered
with red leather.”
[Illustration: PLATE LX]
The curtains are “of the French kind.”
“Many dining-rooms of the first nobility have, however, only two columns
and one sideboard, and those of less note have no columns.”
Public-domain text, read in full here on John Shaqi.
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