French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
“It is not usual to make sideboards hollow in front, but if a sideboard
be required 9 or 10 feet long, as in some noblemen’s houses, and if the
breadth of it be in proportion to its length, it will not be easy for a
butler to reach across it.” A hollow front, Sheraton thinks, would
“obviate the difficulty and take off the appearance of great length.
Besides, if the sideboard be near the entering door, the hollow front
will sometimes secure the butler from the jostles of the other
servants.”
“The pedestal is used to signify that part in cabinet furniture made
nearly to the proportion and figure of a pedestal in architecture. These
are generally placed at the end of sideboards, and are designed for
holding plates for dinner; for which purpose there are two wooden racks,
generally made of oak, in which the plates are placed. The plinth part
of these pedestals is generally formed with a drawer, containing an iron
stand and heater, which diffuses a warm air to the plates and keeps them
in proper temperature at the time of dining. These pedestals are lined
with tin completely over on the inside to prevent the heat from injuring
the wood. And it may be necessary further to observe, that when there
are two pedestals to a sideboard, one of them is generally fitted up in
the inside, either with plain drawers or as a cupboard. On such
pedestals is generally placed a vase.” This vase is usually a knife or
spoon case. On Plate LXI. a sideboard with pedestals is shown. The
pedestal parts are made separately and screwed to the sideboard, and the
top is one large piece screwed to the pedestal. Under the long drawer of
the front is a cupboard enclosed by a tambour shutter. The ornament at
the back is of brass “intended as a stay for silver plate, and has
branches for three candles.” If preferred the centre “may have a glass
lustre hung within it as an ornament.”
[Illustration: PLATE LXII]
Sheraton gives two designs for knife-cases, one concave, the other
convex. In one of them the corner pilasters have “small flutes of white
holly or other coloured wood let in, and the middle pilasters have very
narrow cross bands all round, with the panels japanned in small flowers.
The top is sometimes japanned, and sometimes has only an inlaid pattern.
The half-columns of the right-hand case are sometimes fluted out, and
sometimes the flutes are let in. The feet may be turned and twisted
which will have a good effect.”
Public-domain text, read in full here on John Shaqi.
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