French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
“Cellaret amongst cabinet-makers denotes a convenience for wine, or a
wine cistern.” These were mostly in the form of a sarcophagus, “an
imitation of the figure of ancient stone coffins.” They are adapted to
stand under a sideboard, some of which have covers, and others without.
Sheraton gives one design supported by dolphins, whose heads form the
foot, while the tails curve upwards. The other design is supported on
lions’ paws, and ornamented with lions’ heads. He recommends rings at
each end of the cellaret, so that the servants can conveniently move
these pieces about. “The rings and heads should be cast in brass and
lacquered, and also the dolphins and lions’ paws.”
“Buffet, anciently an apartment separated from the rest of the room by
small pillars or balusters. Their use was for placing china and glass
ware, with other articles of a similar nature. In houses of persons of
distinction in France, the Buffet is a detached room, decorated with
pictures suitable to the use of such apartments, as fountains, cisterns,
vases, etc. These ancient buffets seem in some measure superseded by the
use of modern sideboards, but not altogether, as china is seldom, if
ever, placed upon them: and we therefore think that a buffet may, with
some propriety, be restored to modern use, and prove ornamental to a
breakfast room, answering as the repository of a tea equipage. Under
this idea, we have given a design of one intended to be executed in the
following style. The lower part is to be inclosed with doors, having
silk curtains, with worked brass or wire before them. The upright border
on the top of the lower part is of brass, together with those round the
china shelves. These shelves are supported at each end with four brass
columns, made very light. The lights on each side are of brass, and may
be unscrewed and taken away occasionally. As these buffets would suit
well to be placed one on each side of the fireplace of a breakfast room,
they might very conveniently hold such branches with the addition of one
on the top, which may be screwed into a socket; or a small figure
holding a light may be placed upon it. Under the cornice is a Gothic
drapery and fringe above it.” This design, dated 1803, is represented on
Plate LIX.
“There are three kinds of dumb waiters, but they are all made of
mahogany, and are intended for the use of the dining-parlour, on which
to place glasses of wine and plates, both clean, and such as have been
used.” The one represented on Plate LXI., No. 3, is “partly from the
French taste, on the top of which, where the glass is represented, is a
slab of thin marble, which not only keeps cleaner, and looks neater than
mahogany, but also tends to keep the wine cool, when a bottle for
present use is placed upon it. The shelves below are for plates and a
knife tray. The holes for the decanters have cases of tin fit into them,
and are japanned white, which shows through the front panel in the rail,
and makes it look lighter.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account