French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
Its use was universal, as it was an article of convenience, beauty and
ceremony. On Plate X. a characteristic specimen of a Seventeenth Century
“court cupboard” of oak is shown. This is preserved in the Vestry in
Jamston Church, Nottinghamshire. The lower part would resemble the
ordinary side table of the day, if the back supports were like the two
turned baluster legs in the front. The long drawer with carved panels is
appropriated for linen, or cutlery. The enclosed cupboard is cut in the
form of half a hexagon,—a favourite device of the period for cupboards,
and has three doors enriched with carved panels and mouldings. The top
slab or “cupboard head” is supported by spirally turned columns. The
proper way to adorn this piece of furniture is to place a cupboard
cloth, or “carpet” (of damask with fringed ends, or a strip of the same
material as the hangings of the room) upon the top, allowing the ends of
the scarf to fall over the sides (but not the front), and then to
arrange on it a few choice pieces of plate, or porcelain. It is
interesting to compare this example with No. 8 and No. 1 on the same
plate. No. 8 is a portion of a cupboard of later date. This has a
“double head,” and under the first stage the ornament is a pendant,
instead of a column or pillar. This stands on a ball foot, of an older
form than the foot of No. 1 or No. 3. This example, moreover, has its
lower portion enclosed with panelled doors. The earlier specimens of the
“court cupboard” are generally (and often richly) carved. Sometimes the
pillars have Ionic capitals, sometimes they are ornamented with the
swelling bulb or acorn enriched with the acanthus leaf, as exhibited in
No. 2, Plate X. The devices for the mouldings and panels open to the
carver were innumerable. Towards the close of our period, cupboards were
decorated with applied ornaments of ebony (or an imitation of it) in the
form of eggs, spindles and lozenges, as shown in the cabinet No. 1 on
Plate X.
The cabinet is a development of the enclosed cupboard. The
characteristic cabinet of James I.’s time is adorned with pillars, arch
panels and spindle ornaments. The specimen just referred to on Plate X.,
No. 1, has these decorations. It stands on a frame of six legs,—a frame
that was also used for the lower part of the high case-of-drawers that
was coming into fashion towards the end of our period.
The cabinet was always a handsome piece of furniture equipped with
shelves, drawers, compartments, and doors,—a repository for jewels,
documents and curios. It was sometimes defined as a set of boxes, or
drawers for curiosities, and from it the _cabinet-maker_, “one whose
business it is to make cabinets and the finer kind of joiner’s work,”
took his name.
Public-domain text, read in full here on John Shaqi.
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