French & English : $b A comparisonHamerton, Philip Gilbert
History
French & English : $b A comparison
Hamerton, Philip Gilbert
National characteristics, English; National characteristics, French
So, in fact, the condition
of the poor brutes has gone from bad to worse. There is, indeed, a
French law for the protection of animals, but it is nearly a dead
letter. The great practical difficulty in cultivating the feelings on
this subject comes from the general but most unreasonable idea that
there is something manly in being indifferent to the sufferings of
brutes, and something childish in having pity for them. I remember a
French gentleman who considered himself strong-minded because he made
his carriage horses work when they had raws. In the lower classes
men are proud of overloading and of making their horses go over
unreasonable distances.[11] In both countries men are ready to inflict
pain on animals whenever they think that they can get pleasure out of
it for themselves. The passions for sport and _gourmandise_ are the
two which come next after science for pitilessness. The infliction of
wounds for amusement, and the boiling alive of lobsters, are common
to England and France, but the following is, I believe, peculiarly
French:--When we lived at Sens my wife discovered that it was the
custom, when selling rabbits on the market-place, to put their eyes
out with a skewer, from a belief that this cruelty improved the
flavour.[12] I find that cooks are all convinced that boiling alive is
necessary to the flavour of a lobster, and there is no reasoning with
cooks and gourmands if they believe that cruelty heightens the delicacy
of tortured flesh.
[Sidenote: The Sentiment of Reverence.]
[Sidenote: Veneration of the Priests by Catholics.]
[Sidenote: Absence of Veneration in the Republican Party. Victor Hugo.
Ingres.]
[Sidenote: Chevreul.]
[Sidenote: Extinction of Royalist Sentiment.]
[Sidenote: Want of Reverence for High Officials.]
[Sidenote: Absence of Veneration in Family Life.]
Public-domain text, read in full here on John Shaqi.
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