French enterprise in Africa : $b the personal narrative of Lieut. Hourst of his exploration of the NigerHourst
History
French enterprise in Africa : $b the personal narrative of Lieut. Hourst of his exploration of the Niger
Hourst
French -- Sudan; Mali -- Description and travel; Niger River -- Description and travel; Tuaregs
The veil seems to have been originally adopted as part of the Tuareg
costume on hygienic grounds, for in the long wanderings of the
tribes amongst the sand of the deserts it protects the respiratory
organs. By degrees, however, this tagelmust grew to be considered
a sign of the modesty of the wearer, and to show the face became a
breach of etiquette.
Strange to say, the women do not hide their faces, a very noteworthy
difference this between Mahommedans, whose females are always veiled,
and Tuaregs, amongst whom it is the men who thus disguise their
features. To make up for this, however, if a Tuareg woman wishes
to show great respect to any one she is talking to, she covers her
mouth with a piece of her robe.
The Tuaregs themselves tell the following legend—they have one
for every occasion—to explain this peculiarity of their costume.
“In olden times women used to keep their faces veiled as do the
Mahommedans, whilst men left their faces uncovered; but one day the
enemy surprised a camp of our ancestors. The attack was so sudden and
so utterly unexpected that the Tuaregs were seized with panic and
fled, leaving behind them their families and their property. They
flung down their arms, making no effort to defend themselves, but
trusting for escape entirely to the fleetness of their legs.
[Illustration: A TUAREG IN HIS NATIONAL COSTUME.]
“The women, however, picked up the swords, the spears, and the
daggers, with which they faced the enemy and drove them off.
“From that day, to show their admiration for the conduct of their
wives, and their shame for their own cowardice, the men wore the
veil and the women left their features exposed to view.”
In addition to the veil the Tuaregs wear a tunic of lustrous black
cotton, which falls nearly to the ankles, and in the front of which
is a huge pocket.
The Tuareg who wishes to be very “chic,” to use the last slang
expression in vogue in France and England, has this pocket made of
red material; but whatever the colour it is always of huge size. It
is difficult to imagine what quantities of things that pocket will
hold. In it a Tuareg can stow away yards upon yards of stuff, any
amount of beads, whole coverlets, etc., etc.; and to see him dispose
of everything in such a limited space, reminds one of the conjurors
who put a cannon ball, a cage full of birds, and a bowl with gold
fish all into a single nut.
Long wide trousers envelope the lower part of the body, and are
drawn in at the waist with running strings, whilst sandals made of
ox or antelope hide protect the feet from the burning heat of the
sun-parched sand.
The costume is completed by quantities of little leather sachets,
containing amulets, hung round the neck on thin cords. These amulets
protect their wearer from all evil influences, and secure to him
all the good things his heart desires.
Public-domain text, read in full here on John Shaqi.
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