French enterprise in Africa : $b the personal narrative of Lieut. Hourst of his exploration of the NigerHourst
History
French enterprise in Africa : $b the personal narrative of Lieut. Hourst of his exploration of the Niger
Hourst
French -- Sudan; Mali -- Description and travel; Niger River -- Description and travel; Tuaregs
We felt it would be prudent to restrict the camp, properly so called,
to the northern point of the island, and taking six termitaries
as points of support, we placed abattis between them. Everything
was ready to our hands, branches, logs, brushwood, thorns, etc. We
cut down the trees at the lower end of the island, which cleared
our firing range, though it also rather spoiled the look of the
landscape. We levelled the site of our camp, razed many of the
ant-hills to the ground, and mounted our two guns, one pointing
up-stream, on a huge trunk which seemed to have been placed where it
was on purpose, which commanded the bank almost as far as Say itself,
whilst the other was placed on a big trunk which we drove firmly into
the ground, and would keep the people on the banks down-stream in
awe. At each gun sentries were always on guard. Then the unfortunate
_Aube_ was unloaded, patched up somehow, provided with sixteen oars,
and armed with the machine-gun belonging to the _Davoust_, all ready
to advance to the attack or the defence whether to Say or to Dunga.
In a word, the urgent preliminary work was rapidly accomplished in
a very few days, and then in comparative security we began building
what the natives call the _tata_, that is to say, an earthwork such
as surrounds sedentary villages, or a fortified redoubt serving as
the residence of a chief.
Even if you had not been brought up a mason, you would very soon
become one in the Sudan; at least you will learn to build as the
negroes do. There are neither stones, lime, nor sand, nothing but
water and more or less argillaceous soil. With that you must make
bricks, mortar, and the mixture for graining, if graining you mean
to have. The clay is kneaded with the feet, and when it is ready,
what are called _tufas_ are made of it, that is to say, flat or
cylindrical bricks, which the mason or _baré_ places horizontally
between two layers of mortar. The _baré_ sits astride on the wall
he is building and chants the same tune over and over again, whilst
his assistants silently pass up the _tufas_ to him. I have noticed
that all over the world masons and tile-makers are as light-hearted
as birds.
Our best mason in this case was a big Sarracolais named Samba Demba,
who generally acted as groom to our bicycle Suzanne. When he was at
work on the wall it grew apace, and we too grew gay as we saw it rise,
for with it increased our sense of security.
When the building went on well, we felt that everything else would
go well too.
Public-domain text, read in full here on John Shaqi.
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