a half-dozen rotten strawberries or cherries when these can be had for
next to nothing, or the last spoonful of rice or stewed prunes when the
enraged boarders have turned their eyes from nauseous remains of these
choice dishes three or four days old.
Her cuisine is a thing to gape at. You forget you are in France, the land
of good, inexpensive living, and pronounce it frankly execrable. The
dinner usually consists of vegetable water or greasy water with pieces of
bread floating about, of ragged _bouilli_ (the meat used in the boiling
of this insipid liquid), a tasteless dish of sorrel and of stewed prunes
that will be served no less than four or five times successively until
the very last of the dish has been consumed, or a dish of rice which
will also in its half-finished condition make its successive appearance
until the last grain has vanished, and the dish, presumably on the score
of economy, on which these luxuries are served will not even be changed.
In the same quaint spirit the remains of cold vegetables are reheated
and served again, with such result for eye and palate as no pen can
describe. Whatever you find at her table you may know beforehand will be
of the worst and cheapest of its kind, and there will be as little as
possible of it. When fruit outside, in the markets, along the streets in
barrows, in the shops, is plentiful, excellent, and absurdly cheap, she
will assure you it is far too expensive for her table, and treat three
art students, each paying, exclusive of extras, ten pounds a month, to
musty biscuits and dried figs that taste like caked sawdust. As for
sweet dishes, creams, sauces, varieties of well-cooked vegetables, all
the thousand little kickshaws we associate with the dainty French term
cuisine, these you are as likely to find at her table as ice-cream or
champagne.
Public-domain text, read in full here on John Shaqi.
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