her ideal were a high, instead of a low, one, she might invent a type of
Parisian very different from the well-known _boulevardier_ and hero of
French romance. But alas! this is her failing. She has no other ideal
than that of ruling by the senses, and mastering the worst in man by the
worst in herself. The ideal in her is wrecked on the alluring rock of her
own making,—dress, for which she lives, and without which Paris would
not be the Paris we know; and, being frail and human and sadly silly, as
the best of us are,—Heaven be praised!—we admire even when we would fain
deplore.
The finest impression the life of London leaves on memory is that of the
wealthy quarters. The pageant of Rotten Row is unforgetable. The splendid
roll of life and movement along Piccadilly, the bright impressiveness of
Park Lane, of those squares of lofty town palaces, give such a notion
of privilege and purse as may be had on no other spot of the globe. But
the happiest and most lasting impression of Paris lies in the poor and
populous quarters. Who in memory dwells most on the magnificence of the
Champs Elysées? Who in after years, remembering Paris, cares about all
the luxury of the Park Monceau, with its fashionable and expensive
avenues? But what we do remember, with pleasure and surprise, are the
agreeable aspects of labour, of every-day life, of outdoor breathing,
the variety, labour, vivacity, and insistent beauty, at every turn, of
public existence. It is the delights of street study which hold our
imagination enthralled. In Paris we realise that the Revolution has
indeed brought about something very near to human equality, since here
the poorest know and love the feeling of independence, and we understand
the world to be made for them and not exclusively, as in London, for the
privileged few. Here aristocracy is an incident in social existence, and
any attempts at insolence or haughty airs, which thrill to admiration
the soul of the British burgess and small shopkeeper, would in this
democratic Paris speedily bring insult on the head of the offender.
The Parisian workman will “Monsieur-le-Comte” the aristocrat to his
liking, but Monsieur le Comte must mind his manners and be careful
not to trespass. He took his head off once, and he hopes that will
prove enough, not being more bloodthirsty than his own interests and
privileges demand. Who can consistently pity a populace, however hard it
may work, and however ill it may feed, that has the right of way along
such well-kept thoroughfares; that has such fine statuary and elegant
architecture to keep it in good humour! Who is really poor that may
refresh his eye upon the terrace of the Tuileries, across the Concorde
Place, and take his airing along the boulevards, or in the lovely,
old-fashioned Luxembourg Gardens? What point of Paris is dull to look
at? Where are the shop-fronts that do not fascinate? Take even one of
those old aristocratic streets of the noble Faubourg Varenne, or of Saint
Dominique.
Public-domain text, read in full here on John Shaqi.
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