And the women of this dreary and monotonous fiction,—how shall
we qualify them? They have all the frailty of the wicked, red-heeled,
minuetting eighteenth century without any of its charm, its wit, and real
intellect. For if the marquise of the old school, passed into perfumed
memory, were a rake, she was not a fool, she was not a rowdy, and she had
a feeling for great deeds and great thoughts. She stands on a picturesque
eminence in the history of her land. We cannot say the same for the
titled rake of to-day. It is the fashion to treat her as a _détraquée_,
because she subsists mainly upon excitement. But what needs altering
is her standard; what should be overthrown is the altar upon which she
sacrifices her futile existence. Not that she is the only example of
her class, but somehow the novelists have not thought fit to present us
with any other. The strange thing about it is, that she and her mate in
the game of battledore and shuttlecock with reputation and morality,
the incorrigible viscount, have been brought up under a supervision and
care exceeding northern conception. Neither was permitted a moment of
licensed childhood. Priest and nun were at the side of each, in constant
attendance upon their minds and manners and morals. The male cherub lost
his wings when the abbé made his last bow and retired, leaving his charge
alone on the brink of temptation, a youth with a budding moustache. The
maid ceased to be an angel before the honeymoon had well begun; and,
if we are to believe polite fiction, was already one of the pursued of
snaring sinners before she was a week a bride.
Public-domain text, read in full here on John Shaqi.
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