There is another side, less known, of aristocratic Paris. This is the
quiet, exclusive, genuinely religious side, that of old-fashioned, rigid
noblewomen, who live apart in their dull, old houses of the Faubourg,
given up to prayer and good works. There is a charming distinction
about them, a musty, conventual odour, as you enter the halls of their
faded hotels. They preside over _ouvroirs_, where ladies of their like
meet to make church articles and decorate altar pieces. Sometimes they
carry piety and good-will to the poor to excess, for I know of one, a
baroness, who neglected her children to make perfume and soap of her own
invention, which she sold for the benefit of the poor. The instinct of
trade so developed that she ended by opening a shop, on which she duly
bestowed a saint’s name; and here, if you are willing to pay exorbitant
prices, you may find wherewithal to wash and scent yourself with the
labours of aristocratic hands, and tell yourself you are doing so for
the good of mankind. Not that I would laugh at those ladies, who are the
salt, the redemption of their class. I once lodged in the dismantled
hotel of such a countess, and was edified by the stately, chill dignity
of her austere existence. Her private rooms were furnished with a
touching simplicity. Even in winter there was not a carpet anywhere, no
sign of luxury or comfort; but in her private chapel, where Mass was
celebrated every day, the vestments and ornaments were both beautiful
and precious. She herself had nothing whatever to do with the frisky
countesses of French fiction. She was in every sense of the word a great
lady,—handsome, with aquiline features, and with hair worn high off a
noble forehead, reserved, possibly too haughty in bearing and expression
for her reputation of piety, but essentially one of the elect of this
earth, the kind of woman that an aristocrat should be, and too rarely
is, to justify her privileges and pretensions.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account