Caroline Fox, in her Memoirs, tells how, in 1842, Carlyle's sympathies
were enlisted in behalf of a Cornish miner who had kept his place in the
bottom of a shaft, above a blast the fuse of which had been prematurely
lighted, and allowed his comrades to be hauled up when only one could
escape at a time. He inquired out the hero, who, as by miracle, had
survived the explosion, and set on foot an enterprise to raise funds for
the bettering of his condition. In a letter to Sterling, he said there
was help and profit in knowing that there was such a true and brave
workman living, and working with him on the earth at that time. "Tell
all the people," he said, "that a man of this kind ought to be
hatched,--that it were shameful to eat him as a breakfast egg!"
All Carlyle's sins of omission and commission grew out of this terrible
predilection for the individual hero: this bent or inclination
determined the whole water-shed, so to speak, of his mind; every rill
and torrent swept swiftly and noisily in this one direction. It is the
tragedy in Burns's life that attracts him; the morose heroism in
Johnson's, the copious manliness in Scott's, the lordly and regal
quality in Goethe. Emerson praised Plato to him; but the endless
dialectical hair-splitting of the Greek philosopher,--"how does all this
concern me at all?" he said. But when he discovered that Plato hated the
Athenian democracy most cordially, and poured out his scorn upon it, he
thought much better of him. History swiftly resolves itself into
biography to him; the tide in the affairs of men ebbed and flowed in
obedience to the few potent wills. We do not find him exploiting or
elucidating ideas and principles, but moral qualities,--always on the
scent, on the search of the heroic.
Public-domain text, read in full here on John Shaqi.
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