The old sexton, whom I frequently saw in the churchyard, lives in the
Carlyle house. He knew the family well, and had some amusing and
characteristic anecdotes to relate of Carlyle's father, the redoubtable
James, mainly illustrative of his bluntness and plainness of speech. The
sexton pointed out, with evident pride, the few noted graves the
churchyard held; that of the elder Peel being among them. He spoke of
many of the oldest graves as "extinct;" nobody owned or claimed them;
the name had disappeared, and the ground was used a second time. The
ordinary graves in these old burying places appear to become "extinct"
in about two hundred years. It was very rare to find a date older than
that. He said the "Cairls" were a peculiar set; there was nobody like
them. You would know them, man and woman, as soon as they opened their
mouths to speak; they spoke as if against a stone wall. (Their words hit
hard.) This is somewhat like Carlyle's own view of his style. "My
style," he says in his note-book, when he was thirty-eight years of age,
"is like no other man's. The first sentence bewrays me." Indeed,
Carlyle's style, which has been so criticised, was as much a part of
himself, and as little an affectation, as his shock of coarse yeoman
hair and bristly beard and bleared eyes were a part of himself; he
inherited them. What Taine calls his barbarisms was his strong mason
sire cropping out. He was his father's son to the last drop of his
blood, a master builder working with might and main. No more did the
former love to put a rock face upon his wall than did the latter to put
the same rock face upon his sentences; and he could do it, too, as no
other writer, ancient or modern, could.
I occasionally saw strangers at the station, which is a mile from the
village, inquiring their way to the churchyard; but I was told there had
been a notable falling off of the pilgrims and visitors of late. During
the first few months after his burial, they nearly denuded the grave of
its turf; but after the publication of the Reminiscences, the number of
silly geese that came there to crop the grass was much fewer. No real
lover of Carlyle was ever disturbed by those Reminiscences; but to the
throng that run after a man because he is famous, and that chip his
headstone or carry away the turf above him when he is dead, they were
happily a great bugaboo.
Public-domain text, read in full here on John Shaqi.
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