Friars and Filipinos: An Abridged Translation of Dr. Jose Rizal's Tagalog Novel,; 'Noli Me Tangere.'Rizal, José
History
Friars and Filipinos: An Abridged Translation of Dr. Jose Rizal's Tagalog Novel,; 'Noli Me Tangere.'
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
A wide staircase, with green balustrades and carpeted here and there in
spots, leads from the zaguan, or tiled entrance hall, to the second
story of the house. On either side of this staircase is a row of
flower-pots and vases, placed upon chinaware pedestals, brilliant in
coloring and fantastic in design. Upstairs, we enter a spacious hall,
which is, in these islands, called caida. This serves to-night for
the dining hall. In the middle of the room is a large table, profusely
and richly ornamented, fairly groaning under the weight of delicacies.
In direct contrast to these worldly preparations are the motley colored
religious pictures on the walls--such subjects as "Purgatory," "Hell,"
"The Last Judgment," "The Death of the Just," and "The Death of the
Sinner." Below these, in a beautiful renaissance frame, is a large,
curious linen engraving of two old ladies. The picture bears the
inscription "Our Lady of Peace, Propitious to Travellers, Venerated
in Antipolo, Visiting in the Guise of a Beggar the Pious Wife of the
Famous Captain Inés in Her Sickness." In the side of the room toward
the river, Captain Tiago has arranged fantastic wooden arches, half
Chinese, half European, through which one can pass to the roof which
covers part of the first story. This roof serves as a veranda, and
has been illuminated with Chinese lanterns in many colors and made
into a pretty little arbor or garden. The sala or principal room of
the house, where the guests assembled is resplendent with colossal
mirrors and brilliant chandeliers, and, upon a platform of pine,
is a costly piano of the finest workmanship.
People almost filled this room, the men keeping on one side and the
women on the other, as though they were in a Catholic church or a
synagogue. Among the women were a number of young girls, both native
and Spanish. Occasionally one of them forgot herself and yawned,
but immediately sought to conceal it by covering her mouth with her
fan. Conversation was carried on in a low voice and died away in
vague mono-syllables, like the indistinct noises heard by night in
a large mansion.
An elderly woman with a kindly face, a cousin of Captain Tiago,
received the ladies. She spoke Spanish regardless of all the
grammatical rules, and her courtesies consisted in offering to the
Spanish ladies cigarettes and betel nut (neither of which they use)
and in kissing the hands of the native women after the manner of
the friars. Finally the poor old lady was completely exhausted,
and, taking advantage of a distant crash occasioned by the breaking
of a plate, hurried off precipitately to investigate, murmuring:
"Jesús! Just wait, you good-for-nothings!"
Among the men there was somewhat more animation. In one corner of
the room were some cadets, who chatted with some show of interest,
but in a low voice. From time to time they surveyed the crowd and
indicated to each other different persons, meanwhile laughing more
or less affectedly.
Public-domain text, read in full here on John Shaqi.
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