Nietzsche, Friedrich Wilhelm, 1844-1900; Philosophers -- Germany -- Biography; Philosophy, German -- 19th century
Yet, although the idea does not lack advocates, this does not make it
a dominant thought in European philosophy. In Germany, for instance,
Eduard von Hartmann thinks very differently of the aim--of history. His
published utterances on the subject are well known. In conversation he
once hinted how his idea had originated in his mind: "It was clear to
me long ago," he said, "that history, or, to use a wider expression,
the world process, must have an aim, and that this aim could only be
negative. For a golden age is too foolish a figment." Hence his visions
of a destruction of the world voluntarily brought about by the most
gifted men. And connected with this is his doctrine that humanity has
now reached man's estate, that is, has passed the stage of development
in which geniuses were necessary.
In the face of all this talk of the world process, the aim of which is
annihilation or deliverance--deliverance even of the suffering godhead
from existence--Nietzsche takes a very sober and sensible stand with
his simple belief that the goal of humanity is not to be infinitely
deferred, but must be found in the highest examples of humanity itself.
And herewith he has arrived at his final answer to the question, What
is culture? For upon this relation depend the fundamental idea of
culture and the duties culture imposes. It imposes on me the duty of
associating myself by my own activity with the great human ideals. Its
fundamental idea is this: it assigns to every individual who wishes to
work for it and participate in it, the task of striving to produce,
within and without himself, the thinker and artist, the lover of truth
and beauty, the pure and good personality, and thereby striving for the
perfection of Nature, towards the goal of a perfected Nature.
When does a state of culture prevail? When the men of a community are
steadily working for the production of single great men. From this
highest aim all the others follow. And what state is farthest removed
from a state of culture? That in which men energetically and with
united forces resist the appearance of great men, partly by preventing
the cultivation of the soil required for the growth of genius, partly
by obstinately opposing everything in the shape of genius that appears
amongst them. Such a state is more remote from culture than that of
sheer barbarism.
Public-domain text, read in full here on John Shaqi.
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