City and town life -- Fiction; Short stories, American
"'You better just bar out the carpenters o' this world, friends, an'
done with it!'
"It was Abel Halsey, standin' in the entry, lookin' as handsome as the
law allows. An' I see he happened to be there because the Through was
about due,--that's the one that don't stop here,--an' you can always get
a good view of it from this slope. You know Abel never misses watchin' a
fast train go 'long, if he can help himself.
"'What's the i-dea?' Abel says. 'How can you pray at all in closets an'
places that ain't been dedicated? I shouldn't think they'd be holy
enough, 's'e.'
"'That,' says the postmaster, sure o' support, 'ain't the question.'
"'I thought it couldn't be,' says Abel, amiable. 'Well, what is the
question? Whether prayer is prayer, no matter where you're prayin'?'
"'Oh, no,' says Eppleby Holcomb, soothin', 'it ain't that.'
"'I thought it couldn't be that,' says Abel. 'Is it whether the Lord is
in dedicated spots an' nowheres else?'
"'Abel Halsey,' Timothy tarts up, 'you needn't to be sacrilegious.'
"'But,' says Abel, 'the question is, whether _you_'re sacrilegious to
deny a prayer-meetin' or any other good use to the church or to any
other place, dedicated or not. Well, Timothy, I think you are.'
"Timothy clears his throat an' dabs at the palm of his hand with his
other front finger. But before he could lay down eternal law, we sort o'
heard, almost before we knew we heard, folks hurryin' past out here on
the frozen ground. An' they was shoutin', like questions, an' a-shoutin'
further off. We looked out, an' I can remember how the whole slope up
from the village there was black with folks.
"We run outside, an' I know I kep' close by Abel Halsey. An' I got hold
o' what had happened when somebody yelled an answer to his askin'. You
probably heard all about that part. It was the day the Through Express
went off the track down there in the cut beyond the Pump pasture.
"We run with the rest of 'em, me keepin' close to Abel, I guess because
he's got a way with him that makes you think he'd know what to do no
matter what. But when he was two-thirds o' the way acrost the pasture,
he stops short an' grabs at my sleeve.
"'Look here,' he says, 'you can't go down there. You mustn't do it. We
donno what'll be. You stay here,' he says; 'you set there under the
cottonwood.'
"You kind o' _haf_ to mind Abel. It's sort o' grained in that man to hev
folks disciple after him. I made him promise he'd motion from the fence
if he see I could help any, an' then I se' down under that big tree down
there. I was tremblin' some, I know. It always seems like wrecks are
somethin' that happen in other states an' in the dark. But when one's on
ground that you know like a book an' was brought up on,--when it's in
the daylight, right by a pasture you've been acrost always an' where
you've walked the ties,--well, I s'pose it's the same feelin' as when a
man you know cuts up a state's prison caper; seem's like he _can't_ of,
because you knew him.
Public-domain text, read in full here on John Shaqi.
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