City and town life -- Fiction; Romance fiction, American; Short stories, American
In a few moments after that piteous, fuddled song had died away on the
other street, Peter Cary came by my neighbour's house. He was a
splendid, muscular figure in a neutral, belted shirt and a hat battered
quite to college exactions, though I am sure that Peter did not know
that. I could well believe that he was making a man of himself. I have
temerity to say that this boy superintendent of a canning factory looked
as, in another milieu, Shelley might have looked, but so it was. It was
not the first time that I have seen in such an one the look, the eyes
with the vision and the shadow. I have seen it in the face of a man who
stood on a step-ladder, papering a wall; I have seen it in a mason who
looked up from the foundation that he mortared; I have seen it often
and often in the faces of men who till the soil. I was not surprised to
know that Peter Cary "took" on the violin. The violin is a way out (for
that look in one's eyes), as, for Nicholas Moor, I have no doubt, is the
ringing of the Catholic bell. And I am not prepared to say that
celluloid, and wall-paper, and mortar, and meadows, and canneries,--run
under good conditions,--may not be a way out as well. At all events, the
look was still in Peter's face.
Peter glanced briefly at my neighbour, running the risk of finding us
both looking at him, realized the worst, blushed a man's brown blush,
and nodded and smiled after he had looked away from us.
"You see this grass?" said my neighbour. "Peter keeps it cut, my husband
don't get home till so late. We're awful fond of Peter."
There is no more tender eulogy. And I would rather have that said of me
in the village than in any place I know. No grace of manner or dress or
mind can deceive anybody. They are fond of you or they are not, and I
would trust their reasons for either.
My neighbour's husband came out the front door at that moment, and he
and Peter, without greeting, went on together. Her husband did not look
toward us, because, in the village, it seems not to be a husband and
wife ceremonial to say good-by in the morning. I often fall wondering
how it is in other places. Is it possible that men in general go away
to work without the consciousness of family, of themselves as going
forth on the common quest? Is it possible that women see them go and are
so unaware of the wonder of material life that they do not instance it
in, at least, good-by? One would think that even the female bear in the
back of the cave must growl out something simple when her lord leaves
her in the hope of a good kill.
And when the two men had turned down the brick walk, the maple leaves
making a come-and-go of shadows and sun-patterns on their backs, my
neighbour looked at me with a smile--or, say, with two-thirds of a
smile--as if her vote to smile were unanimous, but she were unwilling by
it to impart too much.
"It's all Miggy with Peter," she said, as if she were mentioning a
symptom.
Public-domain text, read in full here on John Shaqi.
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