City and town life -- Fiction; Romance fiction, American; Short stories, American
somewhere when all my envelopes of clippings are gone to dust.
After a time I became conscious that the faint rustling of the papers
through which I was looking was absorbed by another sound, rhythmic,
stedfast. I looked out on my neighbour's lawn, and at that moment,
crossing my line of vision through the window before which Miggy was
seated, I saw Peter, cutting my neighbour's grass. I understood at once
that he had chosen this morning for his service in order to be near
Miggy. It all made a charming sight,--Peter, bareheaded, in an
open-throated, neutral shirt, cutting the grass there beyond Miggy in
her quaint dress, reading a romance. I forgot my work for a little, and
watched for those moments of his passing. Miggy read on, absorbed. Then,
for a little, I watched her, pleased at her absorption.
Sometimes, from my window, I have looked down on the river and the long
yellow sand bar and the mystery of the opposite shore where I have never
been, and I have felt a great pity that these things cannot know that
they are these things. Sometimes, in the middle of a summer night, when
the moon is so bright that one can see well within one's own soul, I
have fancied that I have detected an aroma of consciousness, of definite
self-wonder, in the Out-of-doors. Fleetingly I have divined it in the
surprise of Dawn, the laughter of a blue Forenoon, the girlish shyness
of Twilight. And this morning I wanted self-wonder for Miggy and Peter.
What a pity that they could not see it all as I saw it: the Shelley-like
boy cutting the grass and loving this girl, in her mother's gown. But
you must not suppose, either, that I do not know how that vast
unconsciousness of Nature and Love flows with a sovereign essence almost
more precious than awareness.
"Miggy," I said presently, "Peter is not at work to-day. That is he
cutting grass."
She looked out briefly.
"He's got two days off coming to him," she answered. "It's for overtime.
This must be one of 'em. Have _you_ read these stories?"
"Yes," I said, "I have. Miggy, don't you want to go and ask Peter to
have lunch with us at twelve?"
"Oh, no, thank you," she dismissed this. "This isn't the day I see him."
"But wouldn't you like it?" I pressed the matter curiously. "Just we
three at luncheon alone?"
She was turning the leaves of the manuscript and she looked up to set
me right.
"Oh, you know," she said, "I don't know Peter _that_ way at all. I just
know him to have him walk home with me, or call, or go walking. Peter
never eats with me."
Poor Peter, indeed, to be denied the simple intimacy of sometimes
breaking bread with Miggy. I understood that to invite a man to "noon
lunch" in the village was almost unheard of, but,
"I think he would eat this noon if he never ate before," said I. To
which Miggy made answer:--
"If you have read all these stories will you--wouldn't you--tell me
some, please? I can't bear to think of having to wait to read 'em before
I know 'em!"
Public-domain text, read in full here on John Shaqi.
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