City and town life -- Fiction; Romance fiction, American; Short stories, American
On the night of her wedding, Christopha threw her bouquet from the
dining-room doorway, because there were no front stairs from which to
throw it, but instead only a stairway between walls and to be reached
from the dining room: a mere clerk of a stair instead of a
proprietor-like hall staircase. In the confusion which followed--the
carnations had narrowly missed the blazing white gas burner high in the
room--the bride ran away above stairs, her two bridesmaids following.
Her mother was already there, vaguely busy with vague fabrics. As Miggy
had told me, she herself was one of Christopha's bridesmaids, and it is
from Miggy that I have heard something of the outcome of the story.
Almost as soon as the door was closed there was a rap at it, a rap
peremptory, confident.
"Let me in," said Allen; "I'm the groom!" Chris herself opened the door.
Her muslin-wedding gown and the little bells of lilies unfaded in her
blond hair became her wholly, and all her simple prettiness still wore
the mystery and authority of the hour.
"Allen," she said, "you oughtn't to of."
"Yes, sir, I ought!" he protested gayly, his voice pleasant with mirth
and with its new, deep note. "I'll never see you a bride again--a real,
weddin'-dress bride. I had to come."
Christopha's mother looked up from her vague, bright fabrics.
"I thought you started to take the minister the kodak album," she said
to Allen plaintively. "Has he got anybody to show him any attention? I
should think you might--"
But the two bridesmaids edged their way into the next room, and on some
pretext of fabrics, took Christopha's mother with them,--as if there
were abroad some secret Word of which they knew the meaning. For Miggy
is sufficiently dramatic to know the Word for another, though she is not
sufficiently simple to know it for herself.
Allen sat beside his bride on the cretonne-covered skirt box. And after
all, he did not look at her, but only at her warm left hand in his.
"It is the funniest thing," he said, "when I see you comin' in the
parlour lookin' so differ'nt, I'm blessed if I wasn't afraid of you.
What do you think of that?"
"You's afraid of my dress," Chris told him, laughing, "not me. You use'
to be afraid of me when we's first engaged, but you ain't now. It's
_me_. I feel afraid of you--Allen. You're--differ'nt."
He laughed tenderly, confidently.
"_Boo!_" he said. "Now are you?"
"Yes," she answered seriously; "now."
"Chris!" he cried boyishly, "we're married! We're goin' to keep house."
"Oh," she said, "Allen! Think of the fun of puttin' the presents in the
house--the dishes, and the glass, and the ornaments. There won't be
another dinin' room in town like ours. Sideboard an' plate rail, an' the
rug not tacked down."
Their thoughts flew to the little house, furnished and waiting, down the
snowy street by the Triangle park: their house.
"Dinners, and suppers, and breakfas's--just us two by ourselves," Allen
said. "_And_ the presents. My!"
Public-domain text, read in full here on John Shaqi.
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