Frijoles: A Hidden Valley in the New WorldHendron, J. W. (Jerome William)
History
Frijoles: A Hidden Valley in the New World
Hendron, J. W. (Jerome William)
Cliff-dwellers -- New Mexico; Frijoles Canyon (N.M.)
But the dweller at Tyuonyi had forgotten something. He did not realize
how tremendously heavy the roof of his big kiva was. He did not know
that the small pine timbers, the splittings, brush, grass, mud and dirt
would cause the big pine vigas to bend and sag and crack in the middle.
It is a question whether or not the roof fell in during some important
ceremony. The situation had to be remedied at any rate. Pine poles, nine
or ten inches in diameter were cut so they would support the weight of
the roof. Six holes were dug in the kiva floor, two under each of the
big vigas. Flat rocks were put in the bottoms of the holes and the ends
of the six timbers were inserted and swung into place under the big
girders, and driven with heavy rocks into an upright position. The big
vigas might have sagged a little but the roof never fell after this
time. Flat stones were driven tight around the bottoms of the support
posts and the holes in which they rested were packed solid with mud and
rocks to keep the timbers from slipping. And this was how the
prehistoric Indian at Tyuonyi built his ceremonial chambers in which
women were not allowed unless requested by the men. There might have
been more than one roof put on this kiva. The first one could have been
laid during the latter part of the fifteenth century. It could have
fallen and then been rebuilt. Archæologists do know that the last time
this large kiva was roofed over was during the early part of the
sixteenth century. We found one of the large charred ends of a big roof
timber and it had been cut in 1513 A.D. So it was about this time that
the last kiva roof was laid. Just how long it was in use is a question.
It was surely used until the end of the occupation of Frijoles Canyon
sometime near the close of the sixteenth century.
Public-domain text, read in full here on John Shaqi.
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