United States -- Social life and customs -- 20th century -- Fiction
"Oh, naturally," retorted the girl in an indignant whimper. "I suppose
you think that's natural. Anyway, he probably doesn't care about me at
all that way."
"Roberta," said the sculptress sternly, "did you _see_ his portrait of
you?"
"Y-y-yes."
"And you have the presumption to say that he doesn't care? Why, that
picture doesn't simply tell his secret. It _yells_ it!"
"I don't care," said the hard-pressed Bobbie. "It hasn't yelled it to
me. _Nobody's_ yelled it to me. And I c-c-can't ask a m-m-man to--to--"
"Perhaps you can't," allowed her adviser magnanimously. "On second
thought, it won't be necessary. You just go back--after powdering your
nose a little--and say that you've come to see the picture once more, or
that it's a fine day, or that competition is the life of trade, or
that--oh, anything! And, if he doesn't do the rest, I'll kill and
eat him."
"But, Cecily--"
"You _would_ be a patroness of Art. Now I've given you something real to
patronize. Don't you dare fail me." Suddenly the speaker gave herself
over to an access of mirth. "Heaven help that young man when he comes
to own up."
"Own up to what?"
"Never mind."
Having consumed a vain and repetitious half-hour in variations upon her
query, Bobbie gave it up and decided to find out for herself. It was
curiosity and curiosity alone (so she assured herself) that impelled her
to return for the last time (she assured herself of that, also) to
the attic.
A voice raised in vehement protest, echoing through the open door of the
studio, checked her on the landing below as she mounted.
"And you're actually going to let thirty-five thousand a year slip
through your fingers, just to pursue a fad?"
To which Julien's equable accents replied:
"That's it, Merrill. I'm going to paint."
The unseen Merrill left a blessing (of a sort) behind, slammed the door
upon it, and materialized to the vision of the girl on the landing as an
energetic and spruce-looking man of forty-odd, with a harassed
expression. At need, Miss Holland could summon considerable decisiveness
to her aid.
"Would you think me inexcusably rude," she said softly, "if I asked who
you are?"
The descending man snatched off his hat, stared, seemed on the point of
whistling, then, recovering himself, said courteously: "I'm George
Merrill, advertising manager for the Criterion Clothing Company."
"And Mr. Tenney has been doing drawings for you?"
"He has. For several years."
"So that," said the girl, half to herself, "is his pot-boiling."
"Not a very complimentary term," commented Mr. Merrill, "for the best
black-and-white work being done in New York to-day. Between my concern
and two others he makes a railroad president's income out of it."
"Yes, I overheard what you said to him. Thank you so much."
"In return, may I ask you something?"
"Certainly."
"Will you not, for his own good, dissuade Mr. Tenney from throwing away
his career?"
"Why should you suppose me to have any influence with Mr. Tenney?"
Public-domain text, read in full here on John Shaqi.
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