From a Cornish Window: A New EditionQuiller-Couch, Arthur
History
From a Cornish Window: A New Edition
Quiller-Couch, Arthur
English literature -- History and criticism
"THE AMENITIES OF RAILWAY TRAVELLING IN FRANCE.
"Sir,--As your newspaper is read in France, may I in your columns
call attention to what I witnessed yesterday? I left Dinard by
the 3.33 p.m. train _en route_ for Guingamp, having to change
carriages at Lamballe. An instant before the train moved off
from the station, a dying man belonging to the poorest class was
thrust into our second class carriage and the door slammed to.
The poor creature, apparently dying of some wasting disease,
was absolutely on the point of death, and his ghastly appearance
naturally alarmed a little girl in the carriage.
At the next station I got down with my companion and changed
into a first-class compartment, paying the difference.
On remonstrating with the guard (_sic_), he admitted that a
railway carriage ought not to be turned into an hospital,
but added, 'We have no rules to prevent it.'
"I ask, sir, is it decent or human, especially at such a time,
to thrust dying persons in the last stage of poverty into a
second-class carriage full of ladies and children?"
There's a pretty charity for you! 'A dying man belonging to the
_poorest class_.'--'_Our_ second-class carriage'--here's richness!
as Mr. Squeers observed. Here's sweetness and light! But England
has no monopoly of such manners. There was a poor little Cingalese
girl in the train by which I travelled homeward last February from
Genoa and through the Mont Cenis. And there were also three
Englishmen and a Frenchman--the last apparently (as Browning put it)
a person of importance in his day, for he had a bit of red ribbon in
his buttonhole and a valet at his heels. At one of the small
stations near the tunnel our train halted for several minutes;
and while the little Cingalese leaned out and gazed at the unfamiliar
snows--a pathetic figure, if ever there was one--the three Englishmen
and the Frenchman gathered under the carriage door and stared up at
her just as if she were a show. There was no nonsense about the
performance--no false delicacy: it was good, steady, eye-to-eye
staring. After three minutes of it, the Frenchman asked
deliberately, "Where do you come from?" in a careless, level tone,
which did not even convey that he was interested in knowing.
And because the child didn't understand, the three Englishmen
laughed. Altogether it was an unpleasing but instructive little
episode.
Public-domain text, read in full here on John Shaqi.
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