From a Cornish Window: A New EditionQuiller-Couch, Arthur
History
From a Cornish Window: A New Edition
Quiller-Couch, Arthur
English literature -- History and criticism
You will perceive that in the third stanza the word 'soul' occurs:
and I invite you to compare this author's idea of a soul with Mr.
Trench's. This author will have nothing to do with the old advice
about doing justice, loving mercy, and walking humbly before God.
The old notion that to conquer self is a higher feat than to take a
city he dismisses out of hand. "Be lustful be vengeful," says he,
"but play the game to win, and you have my applause. Get what you
want, set England fairly in sight of the crowd, and you are a
mighty-minded man." Now the first and last comment upon such a
doctrine must be that, if a God exist, it is false. It sets up a
part to override the whole: it flaunts a local success against the
austere majesty of Divine law. In brief, it foolishly derides the
universal, saying that it chooses to consider the particular as more
important. But it is not. Poetry's concern is with the universal:
and what makes the Celts (however much you may dislike them) the most
considerable force in English poetry at this moment is that they
occupy themselves with that universal truth, which, before any
technical accomplishment, is the guarantee of good poetry.
Now, when you tell yourself that the days of 'English Bess' were
jolly fine empire-making days, and produced great poets (Shakespeare,
for example) worthy of them; and when you go on to reflect that these
also are jolly fine empire-making days, but that somehow Mr. Austin
is your laureate, and that the only poetry which counts is being
written by men out of harmony with your present empire-making mood,
the easiest plan (if you happen to think the difference worth
considering) will be to call the Muse a traitress, and declare that
every poem better than Mr. Austin's is a vote given to--whatever
nation your Yellow Press happens to be insulting at this moment.
But, if you care to look a little deeper, you may find that some
difference in your methods of empire-making is partly accountable for
the change. A true poet must cling to universal truth; and by
insulting it (as, for example, by importing into present-day politics
the spirit which would excuse the iniquities of Henry VIII. on the
ground that 'he gave us English Bess'!) you are driving the true poet
out of your midst. Read over the verses above quoted, and then
repeat to yourself, slowly, these lines:--
"Last, if upon the cold, green-mantling sea
Thou cling, alone with Truth, to the last spar,
Both castaway,
And one must perish--let it not be he
Whom thou art sworn to obey."
Public-domain text, read in full here on John Shaqi.
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