From a Cornish Window: A New EditionQuiller-Couch, Arthur
History
From a Cornish Window: A New Edition
Quiller-Couch, Arthur
English literature -- History and criticism
Weeks ago I was greatly reproached by a correspondent for misusing
the word 'Celtic,' and informed that to call Mr. Yeats or Mr. Trench
a Celt is a grave abuse of ethnical terms; that a notable percentage
of the names connected with the 'Celtic Revival'--Hyde, Sigerson,
Atkinson, Stokes--are not Celtic at all but Teutonic; that, in short,
I have been following the multitude to speak loosely. Well, I
confess it, and I will confess further that the lax use of the word
'Celt' ill beseems one who has been irritated often enough by the
attempts of well-meaning but muddle-headed people who get hold of
this or that poet and straightly assign this or that quality of his
verse to a certain set of corpuscles in his mixed blood. Although I
believe that my correspondent is too hasty in labelling men's descent
from their names--for the mother has usually some share in producing
a child; although I believe that Mr. Yeats, for instance, inherits
Cornish blood on one side, even if Irish be denied him on the other;
yet the rebuke contains some justice.
Still, I must maintain that these well-meaning theorists err only in
applying a broad distinction with overmuch nicety. There is, after
all, a certain quality in a poem of Blake's, or a prose passage of
Charlotte Bronte's, which a critic is not only unable to ignore, but
which--if he has any 'comparative' sense--he finds himself accounting
for by saying, "This man, or this woman, must be a Celt or have some
admixture of Celtic blood." I say quite confidently that quality
cannot be ignored. You open (let us say) a volume of Blake, and your
eye falls on these two lines--
"When the stars threw down their spears
And watered heaven with their tears,"
And at once you are aware of an imagination different in kind from
the imagination you would recognise as English. Let us, if you
please, rule out all debate of superiority; let us take Shakespeare
for comparison, and Shakespeare at his best:--
"These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air;
And, like the baseless fabric of this vision,
The cloud-capp'd towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made of, and our little life
Is rounded with a sleep."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account