Short stories, Swedish -- Translations into English; Sweden -- Social life and customs -- Fiction
Hede thought it was strange that he should have to play a waltz just at
that moment, but, as a matter of fact, it was all the same to him what
he played, if he could only have a bow in his hand. That was all he
wanted. The violin at once began to comfort him; it spoke to him in
faint, cracked tones.
'I am only a poor man's violin,' it said; 'but such as I am, I am a
comfort and help to a poor blind man. I am the light and the colour and
the brightness in his life. It is I who must comfort him in his poverty
and old age and blindness.'
Hede felt that the terrible depression that had cowed his hopes began to
give way.
'You are young and strong,' the violin said to him. 'You can fight and
strive; you can hold fast that which tries to escape you. Why are you
downcast and without courage?'
Hede had played with lowered eyes; now he threw back his head and looked
at those who stood around him. There was quite a crowd of children and
people from the street, who had come into the yard to listen to the
music. It appeared, however, that they had not come solely for the sake
of the music. The blind man and his companion were not the only ones in
the troupe.
Opposite Hede stood a figure in tights and spangles, and with bare arms
crossed over his chest. He looked old and worn, but Hede could not help
thinking that he looked a devil of a fellow with his high chest and long
moustaches. And beside him stood his wife, little and fat, and not so
very young either, but beaming with joy over her spangles and flowing
gauze skirts.
During the first bars of the music they stood still and counted, then a
gracious smile passed over their faces, and they took each other's hands
and began to dance on a small carpet. And Hede saw that during all the
equilibristic tricks they now performed the woman stood almost still,
whilst her husband did all the work. He sprang over her, and twirled
round her, and vaulted over her. The woman scarcely did anything else
but kiss her hand to the spectators.
But Hede did not really take much notice of them. His bow began to fly
over the strings. It told him that there was happiness in fighting and
overcoming. It almost deemed him happy because everything was at stake
for him. Hede stood there, playing courage and hope into himself, and
did not think of the old tight-rope dancers.
But suddenly he saw that they grew restless. They no longer smiled; they
left off kissing their hands to the spectators; the acrobat made
mistakes, and his wife began to sway to and fro in waltz time.
Hede played more and more eagerly. He left off 'Freischütz' and rushed
into an old 'Nixie Polka,' one which generally sent all the people mad
when played at the peasant festivals.
The old tight-rope dancers quite lost their heads. They stood in
breathless astonishment, and at last they could resist no longer. They
sprang into each other's arms, and then they began to dance a waltz in
the middle of the carpet.
Public-domain text, read in full here on John Shaqi.
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