The River Vltava rises away down in the south among the mountains of the
Bohemian Forest. It has its happy infancy in "green days in forest,"
leaping over rocks, playing with pebbles, and generally disporting
itself until it comes out into the world and moves among men. Not empty
handed either, for it carries the sound of the forest and the rhythm of
running water to those that have their being on its banks; if you doubt
it, come and hear Smetana's work at the National Theatre reflected in
the waters of Prague. The Vltava arrives at Prague reinforced by its
tributary, the Berounka, and flows almost due north until it meets the
Castle Hill. Then it makes a bold sweep due east, turns north and west
again, and so makes a peninsula of Castle Hill; then it resumes, with
many windings, its northward course. Nothing could have been better
arranged than this bold sweep encircling the Hradšany and the wooded
slopes of Letna; it is this feature that adds so much interest to the
attractive composition of Prague. This must also have impressed that
far-seeing lady, Libuša--it inspired her as it has inspired many
people since.
* * * * *
The psychology of rivers has not been sufficiently studied. Most people
just call a river blue, or golden or muddy, and pass on to other
subjects. In reality every river of importance has a definite character
all its own; so, for that matter, has every stream of running water,
however insignificant it may seem. Our ancestors recognized the fact,
but preferred to endow brooks and streams with a definite personality in
the form of nymphs, pixies, or whatever they were called. The Cross has
driven these harmless and pathetic little beings out of the world they
lived in; only a few were allowed to linger, such as Isa, who till quite
recently came ashore from the Danube between Passau and Vienna because
she felt so lonely, poor dear! Then there is Undine, but she only
appears on the operatic stage, and that but rarely. Under our present
strenuous existence, where all is bent towards material success, there
is no place for the sprites whose voices the ancients heard in the
twilight silence. How could any properly constituted nymph play
hide-and-seek with the moonbeams, or cast an eye upon a handsome
boatman, from under the well-regulated bank of a river of to-day? As far
as present-day mortals are concerned, any stream means water-power, any
river means a waterway for commerce, and those thus engaged after the
day's work turn away from river and stream without waiting to hear what
they have to say when the din of industry dies down and the voice of the
running water can be heard again.
Public-domain text, read in full here on John Shaqi.
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