From an Easy ChairLankester, E. Ray (Edwin Ray), Sir
History
From an Easy Chair
Lankester, E. Ray (Edwin Ray), Sir
Natural history; Science
One naturally asks, “To what is the colour of these precious stones
due?” The answer is difficult, because very minute traces of chemical
impurity, such as iron, cobalt, manganese, or chromium may suffice to
tint an otherwise transparent, colourless crystal with the brightest
red, yellow, blue, violet, or green. Moreover, it is certain from
what we know of traces of metallic impurity in artificial glass that
it may exist in such a state of chemical combination as to give no
tint whatever to the glass, but after prolonged exposure to light
or other agencies, the minute impurity may combine chemically with
oxygen present in the glass and develop colour. Thus, for instance,
old window-glass often assumes a violet or amethystine tint after
long exposure. This varying colour of the combinations of metals
according to whether they are oxidised or not, and the degree of
oxidation, or the special salt which they may form, is in itself an
unexpected thing to those who are not chemists. The metal chromium, for
instance, gives rise to colourless, to yellow, red, green, and blue
combinations. Manganese, a metal commonly associated with iron, gives
rise to brilliant green, to violet, and to wine-red combinations, and
if scattered as microscopic particles of black oxide in glass would
produce no colour effect at all. From what we know of glass and the
ease with which it is coloured to every shade of the rainbow by the
admixture of traces of metallic impurities--so that “paste” or glass
gems of all colours can be manufactured--it is not surprising to find
that natural crystals, transparent and often devoid of colour (such
as corundum, diamond, quartz, and topaz), are yet also found more or
less frequently coloured in various tints. Nevertheless, it is the fact
that in very few cases have chemists been able to prove by analysis
what precisely is the cause of the colour in any given crystal or
precious stone, although they may strongly suspect this or that as the
colour-giving impurity. The actual quantity of a metallic impurity
sufficient to give a tint is so excessively minute that the chemist
finds it impossible to determine what it is by examining one small
precious stone. He has not a sufficient bulk of material to operate on.
Public-domain text, read in full here on John Shaqi.
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