"I now took a strong inclination for poetry, and wrote some little pieces. My brother, supposing it might turn to account, encouraged me, and induced me to compose two occasional ballads. One was called 'The Light-house Tragedy,' and contained an account of the shipwreck of Captain Worthilake with his two daughters; the other was a sailor's song, on taking the famous _Teach_, or 'Blackbeard, the Pirate.' They were wretched stuff, in street-ballad style; and when they were printed, my brother sent me about the town selling them. The first sold prodigiously, the event being recent, and having made a great noise. This success flattered my vanity; but my father discouraged me by criticising my performances and telling me that verse-makers were generally beggars. Thus I escaped being a poet, and probably a very bad one." From the time that Mr. Franklin criticised his son's argument with John Collins on female education, Benjamin made special efforts to improve his style. He knew that Addison's style was regarded as a model, so he purchased an old volume of his 'Spectator,' and set himself to work with a determination to make his own style Addisonian. He subjected himself to the severest test in order to improve, and counted nothing too hard if he could advance toward that standard. His own account of his perseverance and industry in studying his model, as it appears in his "Autobiography," will best present the facts. "About this time I met with an odd volume of the 'Spectator.' I had never before seen any of them. I bought it, read it over and over, and was much delighted with it. I thought the writing excellent, and wished if possible to imitate it. With that view I took some of the papers, and making short hints of the sentiments in each sentence, laid them by a few days, and then, without looking at the book, tried to complete the papers again, by expressing each hinted sentiment at length, and as fully as it had been expressed before, in any suitable words that should occur to me. Then I compared my Spectator with the original, discovered some of my faults, and corrected them. But I found that I wanted a stock of words, or readiness in recollecting and using them, which I thought I should have acquired before that time, if I had gone on making verses; since the continual search for words of the same import, but of different length to suit the measure, or of different sound for the rhyme, would have laid me under a constant necessity of searching for variety, and also have tended to fix that variety in my mind, and make me master of it. Therefore, I took some of the tales in the 'Spectator,' and turned them into verse; and, after a time, when I had pretty well forgotten the prose, turned them back again.