William Caxton, the first English printer, learned the art in Cologne. In 1476 he set up his press and sign, a red pole, in the Almonry at Westminster. Just before the introduction of printing the demand for MS. copies had grown very active, stimulated, perhaps, by the coming into general use of linen paper instead of the more costly parchment. The scriptoria of the monasteries were the places where the transcribing and illuminating of MSS. went on, professional copyists resorting to Westminster Abbey, for example, to make their copies of books belonging to the monastic library. Caxton's choice of a spot was, therefore, significant. His new art for multiplying copies began to supersede the old method of transcription at the very head-quarters of the MS. makers. The first book that bears his Westminster imprint was the _Dictes and Sayings of the Philosophers_, translated from the French by Anthony Woodville, Lord Rivers, a brother-in-law of Edward IV. The list of books printed by Caxton is interesting, as showing the taste of the time, since he naturally selected what was most in demand. The list shows that manuals of devotion and chivalry were still in chief request, books like the _Order of Chivalry_, _Faits of Arms_, and the _Golden Legend_, which last Caxton translated himself, as well as _Reynard the Fox_, and a French version of the _Aeneid_. He also printed, with continuations of his own, revisions of several early chronicles, and editions of Chaucer, Gower, and Lydgate. A translation of _Cicero on Friendship_, made directly from the Latin, by Thomas Tiptoft, Earl of Worcester, was printed by Caxton, but no edition of a classical author in the original. The new learning of the Renaissance had not, as yet, taken much hold in England. Upon the whole the productions of Caxton's press were mostly of a kind that may be described as mediaeval, and the most important of them, if we except his edition of Chaucer, was that "noble and joyous book," as Caxton called it, _Le Morte Dartur_, written by Sir Thomas Malory in 1469, and printed by Caxton in 1485. This was a compilation from French Arthur romances, and was by far the best English prose that had yet been written. It may be doubted, indeed, whether, for purposes of simple story telling, the picturesque charm of Malory's style has been improved upon. The episode which lends its name to the whole romance, the death of Arthur, is most impressively told, and Tennyson has followed Malory's narrative closely, even to such details of the scene as the little chapel by the sea, the moonlight, and the answer which Sir Bedwere made the wounded king, when bidden to throw Excalibur into the water, "'What saw thou there?' said the king. 'Sir,' he said, 'I saw nothing but the waters wap and the waves wan.'" I heard the ripple washing in the reeds And the wild water lapping on the crag.