From Dan to Beersheba: A Description of the Wonderful Land, with Maps and Engravings and a Prologue by the Author Containing the Latest Explorations and DiscoveriesNewman, John Philip
Religion
From Dan to Beersheba: A Description of the Wonderful Land, with Maps and Engravings and a Prologue by the Author Containing the Latest Explorations and Discoveries
Newman, John Philip
Palestine -- Description and travel
Passing down the Valley of Jehoshaphat to the northeast corner of the
city wall, we entered the large olive-groves which cover the bed of the
valley and the sides of the adjacent hills. Attended by their Nubian
slaves, the women and children of Jerusalem spent the hours of the day
here, reclining beneath these trees. Opposite St. Stephen’s Gate is the
traditional rock where Stephen was stoned to death. Above it, to the
north, is the supposed site of Calvary. Below it, to the east, is the
stone bridge which spans the Kidron. It is 140 feet long, and seventeen
high from the bottom of the vale to the top of the arch. It is firmly
built, and as it has stood for thousands of years, it will endure
for ages to come, if not destroyed by violence. The Brook Kidron is a
winter torrent, or the accumulation of streamlets from the hill-sides,
formed by the rains of winter. Though not seen in the dry season, the
stream continues to flow several feet below the surface of small loose
stones, sending up distinctly a low murmuring sound.
A thousand feet below the bridge is “Absalom’s Pillar.” It is of
limestone, cut out of the rock, and detached from the base of Olivet
by a path excavated in three of its sides. It consists of a square
platform, reached by a flight of steps; a basement of solid rock
twenty-four feet square, a square attic seven feet high, and a circular
attic, surmounted with an inverted funnel-shaped dome, the point
spreading out like an opening flower. Though its apparent altitude is
less than fifty feet, yet, owing to the accumulation of stones around
its base, its actual height is not ascertainable. The exterior of
the basement is ornamented with columns and pilasters, on the Ionic
capitals of which rests a Doric architrave. Above the first entablature
are two courses of large, well-dressed stones, on which is traced a
small cornice, and on the dome above is a cornice resembling rope-work.
Within are two chambers, reached by the original doorway on the east,
and by a breach on the west, which has been made by the inhabitants of
the city, who hold the memory of Absalom in profound contempt. Within
and around it are heaps of stones, thrown there by Christian, Jew, and
Moslem, in condemnation of a son’s rebellion against his father, and,
as a more expressive mark of their disapprobation, they spit upon it
as they pass. This is probably the pillar which Absalom in his lifetime
reared up for himself in the “King’s Dale.”[137] Being a mixture of
Grecian, Roman, and Egyptian architecture, the style is against the
supposition; but as it was customary in the days of Herod to “garnish
the sepulchres of the righteous,” so the admirers of the rebel may have
reconstructed his “Pillar” conformably with the architectural taste of
the Herodian age.
Illustration: ABSALOM’S PILLAR (RESTORED).
Public-domain text, read in full here on John Shaqi.
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