From Gretna Green to Land's End: A Literary Journey in England.Bates, Katharine Lee
General
From Gretna Green to Land's End: A Literary Journey in England.
Bates, Katharine Lee
England -- Description and travel
We quitted the train at Tintern, where our stay was all too short,
notwithstanding the memory of tranquil weeks spent there in a previous
summer. The ruins of Tintern Abbey are of a peculiarly austere and
noble beauty. Its foundation dates back to 1131, only three years
after the coming of the Cistercians into England. It was the third of
their English houses, which came to number nearly two hundred. It
stood in its full grace, the Gothic style just leaning toward the
Decorated, when the Dissolution struck its uses from it and left it to
gradual decay. Roofed by the blue skies of a summer noon, with wooded
hills looking in through the unglazed mullions of the windows, or in
the glory of the moonlight, the silver lustre flooding empty nave and
silent cloisters, and illuming with its searching rays rare bits of
carven foliage, Tintern wears perhaps a purer loveliness in its
desolation than ever before. Our farewell visit was paid in an early
morning hour. In that freshness of the day, those slender pillars and
arches delicately wrought presented an aspect more than ever grave and
melancholy. There is nothing of the grotesque here, and comparatively
little of ornamental detail to distract the mind from the impression
of the whole. The rooks that peered over from their lofty perch above
the great east window, whose remaining traceries were etched in shadow
on the turf, and the bright-eyed little red-breasts that hopped
fearlessly about did not, it is true, observe the Cistercian rule of
silence; but the shining wings of doves fluttering from one grey wall
to another might well have been the embodied prayers of those White
Monks who so often chanted matins at the long-since fallen altars.
We went from the Abbey to the train. Still the railroad followed the
winding river. A fleeting sight of the towering Wyndcliff reminded me
of a by-gone afternoon when, unexpectedly bringing up on a ramble at
Moss Cottage, I undertook, quite too late for prudence, a solitary
ascent of this inviting steep. From the summit I looked out over
mellow-tinted autumnal woods to the looping ribbon of the Wye, the
white cliffs known as the Twelve Apostles rising beyond, and still
beyond the sail-bearing Severn, with villages and church-towers
discernible in the far distance and, best of all, the rose of sunset
glowing upon the face of the Black Mountains. It was a sublime vision,
but when the western flush had faded out and I must needs descend by
that ever-darkening path which took its zigzag course among thick yews
and down slippery slabs of slate, I came to the conclusion it was not
written that my neck should be broken on this side of the Atlantic.
Public-domain text, read in full here on John Shaqi.
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