The healing quality of the waters is attributed, by the veracious Geoffrey of Monmouth, to the British king Bladud, father of King Lear. This Bladud, being skilled in sorcery, placed in the gushing spring a cunning stone that made the water hot and curative. The wizard met an untimely end in a flight on wings of his own devising. He rode the air safely from Bath to London, but there fell and was dashed in pieces on the roof of the temple of Apollo. The Romans knew the virtue of these waters, and modern excavation has disclosed, with other remnants of a perished splendour, elaborate Roman baths, arched and columned and beautifully paved. It is so long since the hour when I went wandering down into those buried chambers that I but dimly recall a large central basin, where languid gold-fish circled in a green pool, begirt by a stone platform, old and mossy. This was set about with pilasters and capitals and all manner of classic fragments, among which were mingled bits of mediæval carving. For a Saxon monastery was founded here, where, according to the Exeter Book, still stood "courts of stone," and the baths were known and frequented throughout the Middle Ages and in Tudor and Stuart times. But the Bath of the eighteenth-century society-novel, the Bath of which Miss Burney and Miss Austen, Fielding and Smollet have drawn such graphic pictures, owed its being chiefly to Beau Nash. The city to which this gallant Oxonian came in 1703 was a mean, rough place enough. The baths were "unseemly ponds," open to the weather and to the view of the passersby, who found it amusing to pelt the invalid bathers with dead cats--poor pussies!--and frogs. But Nash secured a band of music for the Pump Room, set orderly balls on foot, and soon won the title of King of Bath, which he made such a focus of fashion that the place grew during his lifetime from its poor estate into the comely city of to-day. This arbiter of elegance maintained a mimicry of royal pomp. His dress glistened with lace and embroidery and he travelled in a chaise drawn by six grey horses, with a full complement of outriders, footmen, and French horns. The Pump Room is worth a visit. It is an oblong saloon, with a semicircular recess at either end. At the west end is a music gallery, and at the east a statue of Beau Nash. A three-fourths square of cushioned seats occupies the middle of the room and opens toward a counter. Here a white-capped maid dispenses, at twopence a glass, the yellow fluid which hisses up hot from a fountain just behind her and falls murmuring into a marble vase. And all about, a part of the spectacle, sit the health-seekers, sipping the magic water from glasses in decorated saucers and looking a trifle foolish.