From Grieg to Brahms: Studies of Some Modern Composers and Their ArtMason, Daniel Gregory
History
From Grieg to Brahms: Studies of Some Modern Composers and Their Art
Mason, Daniel Gregory
Composers -- Biography; Music -- 19th century -- History and criticism
LIST OF ILLUSTRATIONS
FACING
PAGE
BRAHMS AT THE PIANO Title
From a charcoal drawing by W. von Beckerath
GRIEG 49
DVOŘÁK 73
SAINT-SAËNS 99
FRANCK 123
TSCHAÏKOWSKY 151
BRAHMS 175
I
INTRODUCTION
THE APPRECIATION
OF MUSIC
I
INTRODUCTION THE APPRECIATION OF MUSIC
However interesting may be the study of an art through the
personalities of the artists who have produced it, and such study,
since art is a mode of human expression, is indeed essential, it
must be supplemented by at least some general knowledge of the long
continuous evolution in which the work of the most brilliant individual
is but a moment, a phase. The quality of a man's work in art, and
especially, as will be seen in a moment, in music, depends not alone
on the depth of his character and the force of his talent, but also
largely on the technical resources he owes to others, on the means
for expressing himself that he finds ready to his hand. Whatever
his personal powers or limitations, the value of his work will be
determined not more by these than by the helps and hindrances of his
artistic inheritance.
Public-domain text, read in full here on John Shaqi.
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