From Grieg to Brahms: Studies of Some Modern Composers and Their Art — John Shaqi
From Grieg to Brahms: Studies of Some Modern Composers and Their ArtMason, Daniel Gregory
History
From Grieg to Brahms: Studies of Some Modern Composers and Their Art
Mason, Daniel Gregory
Composers -- Biography; Music -- 19th century -- History and criticism
By 1873 Dvořák was well started on the career of increasing power and
fame that he had worked so hard to establish on firm foundations.
That year was marked not only by his installment as organist at St.
Adalbert's Church, with a comfortable salary, and by his marriage, but
also by the appearance of a composition which made his name at once
widely known in Bohemia--the patriotic hymn entitled «The Heirs of
the White Mountain.» Four years later his reputation began to spread
beyond the border. It was in 1877 that the approbation of Brahms,
then a commissioner of the Austrian Ministry of Education, to which
Dvořák had submitted some duets, induced Joachim to introduce the young
Bohemian's works into England and Germany, and the house of Simrock
to publish them. In 1878 the Slavonic Dances made their composer's
name immediately known throughout the musical world. His great Stabat
Mater, produced in England with acclaim in 1883, was the first of
several choral works given there in the next few years, all very
successfully. In 1889 he was decorated by the Austrian court. In 1890
he received an Honorary Doctorate from the University of Cambridge, was
made Doctor of Philosophy at Prague, and was appointed Professor of
Composition at the Conservatory there. The welcome accorded to him in
America has already been briefly chronicled. His sixtieth birthday was
celebrated by a musical festival in 1901, at Prague, where he now makes
his home. In Dvořák's varied life a youth of unusual hardship, of an
almost unparalleled severity of struggle both for livelihood and for
education, has been crowned with years full of a prosperity and honor
rarely allotted to composers.
Public-domain text, read in full here on John Shaqi.
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