Inventors -- United States -- Biography; Pupin, Michael, 1858-1935
Compare now the motion of the tuning-fork, after the pressure
of the fingers has been removed, to the electrical motion when
the air-gap has broken down and the action of the electrical
generator suspended. The prongs are driven back to their normal
position by the elastic reaction due to the bending; but when
they reach that position they are moving with a certain velocity,
and their momentum carries them beyond that position; they move
on until the energy of the moving mass has been expended in the
work of bending the prongs in the direction opposite to that of
the original bending. The prongs begin then to move back in the
opposite direction, starting the second cycle of motion. The same
line of reasoning will carry us into the third and fourth and
every succeeding cycle of motion. It is obvious that these cycles
will follow each other during equal intervals of time, which gives
a definite pitch to the tuning-fork. A periodic motion of this
type is called an oscillation or vibration; and it is clear that
it is a periodic transformation of the energy of elastic bending
into energy of motion of the mass of the prongs including the
surrounding air, and vice versa. The motion is finally reduced to
rest when the energy of bending, produced at the start by the work
of the fingers, has been used up. The question, what has become of
that energy? is very important in this connection. The answer is:
It is used up partly in overcoming internal friction and _partly
in overcoming the reactions of the surrounding air, which result
in sound-waves_. A sound-wave is a short name describing the
physical fact that in the air here are compressions and dilatations
alternating at periodically recurring intervals. The production
of sound-waves in the air is a proof that the air in the space
surrounding the tuning-fork participates in the motions of the
tuning-fork.
A perfectly analogous experiment was performed by Hertz with his
electrical oscillator, and his principal object was to find whether
the electrical field, that is, the electrified space surrounding
the oscillator, reacted as did the air driven by the vibrating
tuning-fork; if it did it would develop electrical waves. If these
electrical waves actually existed, what did Hertz expect them to
be? In the description of the oscillator and of its action, given
above, two things only were mentioned: the action of the electrical
machine which charges the oscillator and the reaction of the lines
of force against the tensions and pressures which crowd them into
the surrounding space. The electrical waves can, therefore, be
nothing else than periodic variations of the tensions and pressures
in the lines of force, that is to say, periodic variations in
the destiny of the lines of force in the space surrounding the
oscillator. This was what Hertz had found.
Public-domain text, read in full here on John Shaqi.
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