Inventors -- United States -- Biography; Pupin, Michael, 1858-1935
Christian was anxious to have me replenish my fortune, which was
considerably reduced by my purchases in Chatham Square. He called my
attention that morning to a big German who was drinking beer at the
hotel bar after delivering several baskets filled with bread, rolls,
and pies, and said that he was a rich and stingy baker, whose wagon,
standing in front of the hotel, needed painting badly. I saw that
the lettering needed speedy restoration. I assured my chum that my
experience as assistant to the sailor painters on the Hoboken docks,
in addition to my natural skill in free-hand drawing, qualified me
for the job of restoring the lettering; Christian chuckled and made a
bee-line for the stingy German baker. I got the contract to restore the
lettering for five dollars and my meals, he to pay for the paints and
the brushes, which were to remain my property. Christian formulated
the contract and specified its terms very clearly; he was my business
manager, and he enjoyed it hugely. The next day I lunched with the
baker’s family, according to the terms of the contract, and after
luncheon, as soon as the wagon had returned from its daily route, I
started the work, interrupted by the supper only, and at nine o’clock
in the evening the job was finished to the full satisfaction of the
party of the first part. That evening found me richer by five dollars,
several paint pots and brushes, a huge home-made apple pie, and a new
and encouraging experience. Christian, for some reason unknown to me
at that time, seemed to look upon the whole affair as a joke, but
nevertheless he paid many compliments to my success as an artist. The
next day we left bright and early for his father’s house in Hoboken,
where in accordance with a plan conceived by Christian we were to spend
some time in painting and papering several of the rooms. Profiting by
the instructions which we received in sundry places, and after making
several unsuccessful attempts, we managed to master the art and to
finish the rooms to the full satisfaction of Christian’s father, who
confessed that no Hoboken expert could have done better. “This painting
is much better than that which you did on the baker’s wagon,” he said,
“because you added some dryer to the paint.” “Right you are,” said
Christian, “but I am to blame, because I purposely avoided telling
Michael to use some dryer on the baker’s wagon. I wanted to make two
jobs out of one.” “There will be several jobs, I am afraid,” said
Christian’s father, “because on the day after the lettering was done
the baker’s wagon was caught in a shower and all the fresh paint has
been washed off, and the wagon looks like a show.” Christian roared
with laughter, but seeing that I looked worried he whispered in my ear:
“Don’t worry, it serves him right; he wanted a twenty-dollar job done
for five dollars, because he took you for a greenhorn.” Christian made
a new arrangement for the relettering of the wagon and I earned another
Public-domain text, read in full here on John Shaqi.
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