Inventors -- United States -- Biography; Pupin, Michael, 1858-1935
Carrying coal from sidewalks to cellars and shovelling snow from
sidewalks during that memorable winter were healthful jobs and cheerful
enough, but not very remunerative; painting cellars and basements on
Lexington Avenue was more remunerative, but fearfully depressing. To
spend one’s time day after day in dark cellars and basements and pass
the night in a cheerless hall-room in Norfolk Street, surrounded by
neighbors who were mostly foreign-born of the most unattractive type,
was too much for a Serbian youth who knew the beautiful world as one
sees it from the pasture-lands of his native village and from the
banks of golden Delaware. The reading-room of the Cooper Union library
relieved somewhat my mental depression, although it was packed with
sad-looking victims of the economic crisis, who found their way from
the Bowery to the reading-room in order to keep warm. I longed to see
God’s world of the country again.
The opportunity came, and about the middle of April of that year, 1875,
I was on a farm in Dayton, New Jersey. My employer’s family consisted
of his wife and an elderly daughter, and I was the only farm-hand on
the place. They were apparently pleased with my work, and the ladies
took much interest in my personal welfare. But the farmer, call
him Mr. Brown, took it into his head that a youth who had lived one
whole winter in Norfolk Street, New York, near the ungodly Bowery,
needed spiritual regeneration. He was a very pious Baptist, and I
soon discovered that in his everlasting professions of omissions and
commissions he was even worse than that reformed drunkard whose sermons
had driven me away from the Bowery Mission and its vigorous bean soup.
Every Sunday his family took me to church twice and made me sit between
the female members of the family. I felt that the congregation imagined
that Mr. Brown and his family were trying their best to convert a
godless foreign youth and make a good Baptist out of him. Mr. Brown
seemed to be in a great hurry about it, because every evening he made
me listen for an hour at least to his reading of the Bible, and before
we parted for the night he would offer a loud and fervent prayer that
the Lord might kindle his light in the souls of those who had been
wandering in darkness. I know now that he had in mind the words of St.
Luke, “To give light to them that sit in darkness,” but at that time I
fancied that he referred to my painting operations in the cellars and
basements of Lexington Avenue, and interpreted his prayers as having a
special reference to me.
Public-domain text, read in full here on John Shaqi.
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