And gloriously rich and tropical did Lottie appear against the
colorless background of her friend. Bel felt that she suffered
by the comparison so frankly indicated, but was too indolent and
irresolute to change for the better or avoid companionship with
one whose positive and full-blooded nature seemed to supplement
her own meagre life.
When all appeared in the dining-room the shades and contrasts in
character became more evident. At the head of the table sat a gentleman
as yet not introduced, Mr. Dimmerly by name, a bachelor brother
of Mrs. Marchmont who resided with her. He was a quaint-appearing
little man, who in a greater degree than his age required seemed
to belong to a former generation. His manners were too stately for
his stature, and he was embarrassed by his elaborate efforts at
politeness as his movements might have been by too ample garments.
He and his sister were representatives of one of the "old families"
of the State, and, like their mansion, reminded one of the past.
Indeed, they seemed to cherish, as a matter of pride and choice,
their savor of antiquity, instinctively recognizing that their
claims upon society were inherited rather than earned.
Old families do not always appear to accumulate the elements of
greatness to such a degree that there is an increasing and almost
irresistible impetus of force and genius. Successive generations
are not necessarily born to a richer dower of mind and morals.
Too often it would seem that the great qualities that in the first
place launched a family on a brilliant career expend themselves,
until the latest scion, like a spent arrow, drops into insignificance.
Mrs. Marchmont was regarded by society as an elegant woman, and
she was, in all externals. The controlling principle of her life
was precedent. What had been customary, and still obtained among
the "good old families," had a flavor of divine right in it.
Public-domain text, read in full here on John Shaqi.
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