From Kitchen to Garret: Hints for young householders — John Shaqi
From Kitchen to Garret: Hints for young householdersPanton, J. E. (Jane Ellen)
General
From Kitchen to Garret: Hints for young householders
Panton, J. E. (Jane Ellen)
Home economics
Before passing away from the hall, I will just mention two or three
schemes of decoration that are absolutely certain to be a success, and
therefore can be adopted without any chance of a failure: No. 1 is
Pither’s invaluable red and white ‘berry’ paper at 1_s._ 6_d._ a piece;
a dado of red and white matting--Treloar, Ludgate Hill, has a capital
one at about 1_s._ a yard, and varnished paint the exact colour of the
red on the flower; blue hard wearing drugget on the floor, and red,
white, and blue striped dhurries for _portières_. No. 2.--Paper of a
good sage-green, with dado of Japanese leather paper in sage-green, and
gold all the paint varnished sage-green and Pither’s terra-cotta
hard-wearing drugget on the floor and stairs; terra-cotta and grey-blue
serge curtains would be safe here, and if there be a back staircase and
no boys in the house, the dado may be replaced by a frieze of Maple’s
grey-gold Japanese leather paper; this resembles a flight of birds among
palm branches, and this arrangement is simply a perfect hall, but not
suitable for one where there is much traffic. All the paint, on doors,
wainscot, and frieze or picture-rail alike, must be one shade of green
only, and I most strongly deprecate for any place the odious habit of
picking out styles and wainscoting with another shade of paint; this is
never needed, only adds to the work, and draws attention to the paint,
at which we do not want to look, and which would only serve as a
pleasant background to oneself and one’s belongings. The sides of the
stairs and the balustrading should all be painted to match, though the
mahogany handrail should be left alone.
Scheme No. 3 would only do where expense was no object, but would
undoubtedly make a most lovely hall. This would be in cream-coloured
varnished paint, with a high wooden dado painted cream colour, and then
embellished with sketches of birds and flowers by Mrs. McClelland’s
clever fingers; the paper could be a good gold-coloured Japanese leather
paper, and the carpets could be Oriental rugs sewn together, while the
hall should have a handsome Oriental square of carpet, and one or two
divans placed about it; the draperies could be Liberty’s beautiful
chenille material in Oriental colours too, and great care should be
taken with their arrangement. In all cases I strongly advise the
ceilings to be papered, no one who has once indulged in a coloured or
decorated ceiling ever going back to the cold, ugly whitewash, with
which we have all been so contented so long. It is generally safe to put
a blue and white ceiling paper with a yellow or red wall paper, a
terra-cotta and white with green walls, and a yellow and white with blue
walls, taking care to carry out this combination of colouring in the
carpets, draperies, &c.
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