From hence, at the end of seven miles over the Downs, we come to the very ancient city of Winchester; not only the great church (which is so famous all over Europe, and has been so much talked of), but even the whole city has at a distance the face of venerable, and looks ancient afar off; and yet here are many modern buildings too, and some very handsome; as the college schools, with the bishop's palace, built by Bishop Morley since the late wars--the old palace of the bishop having been ruined by that known church incendiary Sir William Waller and his crew of plunderers, who, if my information is not wrong, as I believe it is not, destroyed more monuments of the dead, and defaced more churches, than all the Roundheads in England beside. This church, and the schools also are accurately described by several writers, especially by the "Monasticon," where their antiquity and original is fully set forth. The outside of the church is as plain and coarse as if the founders had abhorred ornaments, or that William of Wickham had been a Quaker, or at least a Quietist. There is neither statue, nor a niche for a statue, to be seen on all the outside; no carved work, no spires, towers, pinnacles, balustrades, or anything; but mere walls, buttresses, windows, and coigns necessary to the support and order of the building. It has no steeple, but a short tower covered flat, as if the top of it had fallen down, and it had been covered in haste to keep the rain out till they had time to build it up again. But the inside of the church has many very good things in it, and worth observation; it was for some ages the burying-place of the English Saxon kings, whose _reliques_, at the repair of the church, were collected by Bishop Fox, and being put together into large wooden chests lined with lead were again interred at the foot of the great wall in the choir, three on one side, and three on the other, with an account whose bones are in each chest. Whether the division of the _reliques_ might be depended upon, has been doubted, but is not thought material, so that we do but believe they are all there. The choir of the church appears very magnificent; the roof is very high, and the Gothic work in the arched part is very fine, though very old; the painting in the windows is admirably good, and easy to be distinguished by those that understand those things: the steps ascending to the choir make a very fine show, having the statues of King James and his son King Charles, in copper, finely cast; the first on the right hand, and the other on the left, as you go up to the choir.