On the north side of the house, where the gardens seemed to want screening from the weather or the view of the chapel, and some part of the old building required to be covered from the eye, the vacant ground, which was large, is very happily cast into a wilderness, with a labyrinth and _espaliers_ so high that they effectually take off all that part of the old building which would have been offensive to the sight. This labyrinth and wilderness is not only well designed, and completely finished, but is perfectly well kept, and the _espaliers_ filled exactly at bottom, to the very ground, and are led up to proportioned heights on the top, so that nothing of that kind can be more beautiful. The house itself is every way answerable on the outside to the beautiful prospect, and the two fronts are the largest and, beyond comparison, the finest of the kind in England. The great stairs go up from the second court of the palace on the right hand, and lead you to the south prospect. I hinted in my last that King William brought into England the love of fine paintings as well as that of fine gardens; and you have an example of it in the cartoons, as they are called, being five pieces of such paintings as, if you will believe men of nice judgment and great travelling, are not to be matched in Europe. The stories are known, but especially two of them--viz., that of St. Paul preaching on Mars Hill to the self-wise Athenians, and that of St. Peter passing sentence of death on Ananias--I say, these two strike the mind with the utmost surprise, the passions are so drawn to the life; astonishment, terror, and death in the face of Ananias, zeal and a sacred fire in the eyes of the blessed Apostle, fright and surprise upon the countenances of the beholders in the piece of Ananias; all these describe themselves so naturally that you cannot but seem to discover something of the like passions, even in seeing them. In the other there is the boldness and courage with which St. Paul undertook to talk to a set of men who, he knew, despised all the world, as thinking themselves able to teach them anything. In the audience there is anticipating pride and conceit in some, a smile or fleer of contempt in others, but a kind of sensible conviction, though crushed in its beginning, on the faces of the rest; and all together appear confounded, but have little to say, and know nothing at all of it; they gravely put him off to hear him another time; all these are seen here in the very dress of the face--that is, the very countenances which they hold while they listen to the new doctrine which the Apostle preached to a people at that time ignorant of it.