From Memory's Shrine: The Reminscences of Carmen SylvaSylva, Carmen
History
From Memory's Shrine: The Reminscences of Carmen Sylva
Sylva, Carmen
Queens -- Romania -- Biography; Sylva, Carmen, 1843-1916
In the one drawing-room, that which was known as the “sisters’-room,” as
it had specially belonged to my aunts, three beds were put up, and here
my mother and I were to sleep together with her youngest sister, for the
house was so overfull that proper accommodation was wanting, the
dining-room, the largest room of all, being converted into a _chapelle
ardente_. Of this last detail I knew nothing. I had been so simply
brought up, the ways of a Court were unfamiliar and even quite
distasteful to me. Next morning I was up betimes, and without disturbing
anyone I crept out into the garden, taking with me the first tablecloth
that came to hand, and this I filled with all the roses I could gather,
fresh fragrant roses, still wet with dew, to take to grandmamma. Without
a word to anyone, I made my way upstairs very softly to her room, and
began placing my roses in a big garland round her. I did not feel at all
afraid at first, but in course of time the intense stillness began to
affect me, so that I was quite glad when Fräulein von Preen,
grandmamma’s lady-in-waiting, came into the room with one or two of the
maids and helped me to arrange my flowers. The day passed slowly,
chiefly taken up with giving orders for mourning, bonnets of the correct
shape, with the point coming very low down on the forehead, and long
crape veils, falling right over the heavy folds of the black woollen
dresses with their long trains. I too was to have a little black woollen
dress, and that made me sadder than ever, it seemed to me such a
melancholy garb. The following morning I again got up as early as
possible, feeling rather impatient to see my aunt go on sleeping so
soundly, for she was never an early riser, and had not yet made up for
the rest she had lost. But I hardly knew what to do with myself, having
been told that I could not go to see grandmamma to-day, and I turned and
twisted about restlessly in the room. All at once I caught sight of a
sheet of grandmamma’s own special pale green note-paper, with something
written on it in her hand-writing, lying on a table. Young as I was, I
quite understood that one must not read every paper one sees lying
about, my mother never even opened a letter addressed to me, so as to
set me the example of the respect due to private correspondence. But
this paper lay spread wide open for every one to see, and was evidently
not a letter at all, that much was clear to me, notwithstanding my
short-sight. It was certainly allowable, I told myself, to look at dear
grandmamma’s hand-writing once more. It turned out to be a translation
of some English verses,--a poem of Longfellow’s, which is known to
everybody, but with which I first made acquaintance then, through the
medium of grandmamma’s German version. The first verse of the original
runs:
Public-domain text, read in full here on John Shaqi.
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