From Memory's Shrine: The Reminscences of Carmen SylvaSylva, Carmen
History
From Memory's Shrine: The Reminscences of Carmen Sylva
Sylva, Carmen
Queens -- Romania -- Biography; Sylva, Carmen, 1843-1916
But for the pathetic expression of a pair of dreamy eyes my mind was
sufficiently receptive, sorrow and heartache being already only too
familiar to me. My mother, as I have mentioned, was at that time an
invalid, my younger brother had been a sufferer from his birth, and my
father was slowly dying of consumption. The daily spectacle of pain and
illness may well open a child’s eyes to the expression of suffering in
other human faces. But as I was always a very reserved child, accustomed
to keep all puzzling problems to myself and brood over them in silence,
I asked no questions, and consequently learnt nothing about my new idol
nor even suspected the existence of a domestic tragedy. Schumann’s
works were at that time a sealed book for me, with the exception of a
few simple pieces, intended for children. And children’s pieces were not
what I cared about. I only wanted Beethoven!
After that I did not see her again for many years--till I was grown up,
a girl of twenty, in St. Petersburg. I was just recovering from an
illness, and it was whilst I was still so weak that I could hardly
stand, that I had the sudden news of my dear father’s death. The blow
was such an overwhelming one, I felt at first as if everything in life
were over for me, and that I should never take pleasure in anything
again. And just then Mme. Schumann arrived with her daughter Marie. The
Grand Duchess Hélène, in whom so many artists had found a true friend
and enlightened patroness, hastened to place rooms in her palace at the
disposal of the celebrated pianist. So mother and daughter, to my
unspeakable joy and consolation, took up their abode with us for seven
weeks, and were lodged in the suite of apartments just above my own.
Whenever she was going to practice, Mme. Schumann would send word to me,
and then I would manage to drag myself upstairs, and let myself be
propped up by cushions in a corner of the room, where I could listen
undisturbed. It was as if I were being slowly awakened from a deathlike
trance, and being brought back to an interest in life again by the
strains of that exquisite music. Better still, my aunt very soon
arranged for me to take some piano-lessons of this great artist, and
these mark quite an epoch in my life. They were certainly quite
exceptional
[Illustration: By kind permission of Messrs. Breitkopf & Hartel, 54
Great Marlborough Street, London, W.
MADAME SCHUMANN]
Public-domain text, read in full here on John Shaqi.
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