From One Generation to AnotherMerriman, Henry Seton
General
From One Generation to Another
Merriman, Henry Seton
Fiction
“Who knows?” said the Rector, with a smile of indulgent affection. “There
may be great literary capacity lying dormant in Jem. The worst of a diary
is that one may come to look at it in after years, when one finds a very
different story has been written from what one intended to write.”
“Oh,” said Dora, lightly skipping over the chasm of gravity, “that is
Providence. We must blame Providence for these little _contretemps_. Some
one must be blamed, and Providence obviously does not mind.”
Jem laughed--somewhat lamely; but still it was a laugh. Supper was
despatched somehow--as last meals are. Some of us never forget the
flavour of those cups of tea gulped down in the gorgeous steamer-saloon
while the stewards get the hand luggage on board. It was a late meal on
Sunday evening at the Rectory, and the servants soon followed their
betters into the drawing-room for prayers.
Then the Rector lighted his last cigarette, and Mrs. Glynde began to show
symptoms of a patch of pink in either cheek.
At last Jem rose--awkwardly--in the midst of a sally from Dora, who
seemed afraid to stop speaking.
“Must be going,” he said; and he shook hands with the Rector.
Mrs. Glynde, with nervous deliberation, kissed him and squeezed his hand
jerkily.
“Dora--will open the door for you,” she said, with an apprehensive glance
towards her husband, who, however, showed no inclination to move from his
chair.
Dora not only opened the door, but left it open, and walked with him
across the lawn towards the stile. When they reached it there was a
little pause. He vaulted over and she quietly followed--without his
proffered assistance.
Then at last Jem spoke.
“You don't seem to care!” he said gruffly--with his new voice.
“Oh, _don't!”_ she whispered imploringly.
And they walked on beneath the murmuring trees where the yellow moonlight
stole in and out between the trunks. It was not cheerful. For when Nature
joins her sadness to the sad libretto of life she usually breaks a heart
or two. Fortunately for us we mostly act our tragedies in the wrong
scenery--the scenery that was painted for a comedy.
“I don't understand it,” said the girl at length.
“I suppose it is in order to save money for Arthur.”
“If I don't, go,” replied Jem, “it will be a question of letting
Stagholme.”
Dora knew of the ancient horror of such a necessity, handed down from one
Agar to another, like a family tradition. Moreover, women seem to respect
men who have some simple creed and hold to it simply. Are they not one of
our creeds themselves, though by seeking for rights instead of contenting
themselves with privileges, some of them try to make atheists of us?
“So,” she said nevertheless, “you are being sacrificed to Arthur!”
He answered nothing, but he had forgotten for ever Miss Evelina Louisa
Barmond.
“When do you go?” asked Dora suddenly, with something in her voice which
no one had ever heard before. She was startled at it herself.
Public-domain text, read in full here on John Shaqi.
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